Words with Music

Creating the Broadway Musical Libretto

Author: Lehman Engel

Publisher: Hal Leonard Corporation

ISBN: 1557835543

Category: Music

Page: 466

View: 2002

The dean of Broadway musical directors examines the dynamics of how the book, music and lyrics work together to create such hits as My Fair Lady, Fiddler on the Roof, Guys and Dolls, Hair, Pal Joey, West Side Story, Company, South Pacific, Threepenny Opera and Porgy and Bess. Howard Kissel, chief theater critic for the New York Daily News, extends the reach of Engel's subjects by bringing them up to date with commentary on such shows as A Chorus Line, Nine, Sunday in the Park with George, Rent, Working and Falsettos. Kissel offers a thoughtful history on how musical theater has evolved in the three decades since Engel wrote Words with Music (1972) and how Engel's classic work remains vital and illuminating today.

The Oxford Handbook of the British Musical

Author: Robert Gordon,Olaf Jubin

Publisher: Oxford University Press

ISBN: 0199988749

Category: Music

Page: 754

View: 5236

The first comprehensive academic survey of British musical theatre from its origins, The Oxford Handbook of the British Musical offers both a historical account of musical theatre from 1728 and a range of in-depth critical analyses of key works and productions that illustrate its aesthetic values and sociocultural meanings.

Music in the Words: Musical Form and Counterpoint in the Twentieth-Century Novel

Author: Alan Shockley

Publisher: Routledge

ISBN: 1351557289

Category: Music

Page: 206

View: 2852

There is a strong tradition of literary analyses of the musical artwork. Simply put, all musicology - any writing about music - is an attempt at making analogies between what happens within the world of sound and language itself. This study considers this analogy from the opposite perspective: authors attempting to structure words using musical forms and techniques. It's a viewpoint much more rarely explored, and none of the extant studies of novelists' musical techniques have been done by musicians. Can a novel follow the form of a symphony and still succeed as a novel? Can musical counterpoint be mimicked by words on a page? Alan Shockley begins looking for answers by examining music's appeal for novelists, and then explores two brief works, a prose fugue by Douglas Hofstadter, and a short story by Anthony Burgess modeled after a Mozart symphony. Analyses of three large, emblematic attempts at musical writing follow. The much debated 'Sirens' episode of James Joyce's Ulysses, which the author famously likened to a fugue, Burgess' largely ignored Napoleon Symphony: A Novel in Four Movements, patterned on Beethoven's Eroica, and Joyce's Finnegans Wake, which Shockley examines as an attempt at composing a fully musicalized language. After these three larger analyses, Shockley discusses two quite recent brief novels, William Gaddis' novella Agap?gape and David Markson's This is not a novel, proposing that each of these confounding texts coheres elegantly when viewed as a musically-structured work. From the perspective of a composer, Shockley offers the reader fresh tools for approaching these dense and often daunting texts.

Music with Words

A Composer's View

Author: Virgil Thomson,Thomson/ Virgil / Helin/ Jacquelyn

Publisher: Yale University Press

ISBN: 9780300045055

Category: Music

Page: 178

View: 3222

This is a group of essays about vocal music, as composers face the writing of it, especially to English words and about the union of poetry and music.

Sociologists and Music

An Introduction to the Study of Music and Society

Author: Paul Honigsheim

Publisher: Transaction Publishers

ISBN: 9781412834711

Category: Language Arts & Disciplines

Page: 360

View: 6220

An Introduction to the Study of Music & Society.

Ezra Pound

The Contemporary Reviews

Author: Betsy Erkkila

Publisher: Cambridge University Press

ISBN: 0521401399

Category: Literary Criticism

Page: 418

View: 8593

A collection of the reviews of Pound's work that were published in his lifetime.

Help Your Kids with Music

A Unique Step-by-Step Visual Guide

Author: N.A

Publisher: Dorling Kindersley Ltd

ISBN: 0241240050

Category: Music

Page: 256

View: 8132

A simple, visual guide to helping children understand music with Carol Vorderman Reduce the stress of studying music and help your child with their homework, Help Your Kids with Music is a unique visual guide to music theory which will demystify the subject for everyone. Including the latest updates to the UK National Curriculum, covering everything from semitones and note values, to harmony and music appreciation, Help Your Kids with Music helps you work through music step-by-step. Using clear, accessible pictures and diagrams you'll learn to approach even the most complex musical theory with confidence. Includes a glossary of key musical terms and symbols. Help Your Kids with Music is the perfect guide for every parent and child, who wants to understand music theory and put it into practice.

The Playwright's Workbook

Author: Jean-Claude van Italie

Publisher: Hal Leonard Corporation

ISBN: 1476844836

Category: Performing Arts

Page: 144

View: 6842

(Applause Books). A series of 13 written workshops covering: conflict and character: the dominant image: Tennessee Williams and Arthur Miller; Overheard voices: Ibsen and Shakespeare; The solo performance piece: listening for stories; Terror and vulnerability: Ionesco; The point of absurdity: creating without possessing: Pinter and Beckett; and much more.

Devotional Music in the Iberian World, 1450-1800

The Villancico and Related Genres

Author: Tess Knighton,Alvaro Torrente

Publisher: Ashgate Publishing, Ltd.

ISBN: 9780754658412

Category: Music

Page: 491

View: 4177

From the fifteenth century to the beginning of the nineteenth century, devotional music played a fundamental role in the Iberian world. Songs in the vernacular, usually referred to by the generic name of 'villancico', but including forms as varied as madrigals, ensaladas, tonos, cantatas or even oratorios, were regularly performed at many religious feasts in major churches, royal and private chapels, convents and in monasteries. The sixteen essays in this volume provide the first broad-based survey of this important genre.

The Richard Rodgers Reader

Author: Geoffrey Block

Publisher: Oxford University Press on Demand

ISBN: 9780195313437

Category: Biography & Autobiography

Page: 368

View: 6761

Richard Rodgers was one of America's most prolific and best-loved composers. A world without "My Funny Valentine," "The Lady is a Tramp," "Blue Moon," and "Bewitched," to name just a few of the songs he wrote with Lorenz Hart, is scarcely imaginable, and the musicals he wrote with his second collaborator, Oscar Hammerstein--Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music--continue to enchant and entertain audiences. Arranged in four sections, Rodgers and Hart (1929-1943), Rodgers and Hammerstein (1943-1960), Rodgers After Hammerstein (1960-1979), and The Composer Speaks (1939-1971), The Richard Rodgers Reader offers a cornucopia of informative, perceptive, and stylish biographical and critical overviews. It also contains a selection of Rodgers's letters to his wife Dorothy in the 1920s, the 1938 Time magazine cover story and New Yorker profiles in 1938 and 1961, and essays and reviews by such noted critics as Brooks Atkinson, Eric Bentley, Leonard Bernstein, Lehman Engel, Walter Kerr, Ken Mandelbaum, Ethan Mordden, George Jean Nathan, and Alec Wilder. The volume features personal accounts by Richard Adler, Agnes de Mille, Joshua Logan, Mary Martin, and Diahann Carroll. The collection concludes with complete selections from more than thirty years of Rodgers's own writings on topics ranging from the creative process, the state of the Broadway theater, even Rodgers's bout with cancer, and a generous sample from the candid and previously unpublished Columbia University interviews. For anyone wishing to explore more fully the life and work of a composer whose songs and musicals have assumed a permanent--and prominent--place in American popular culture, The Richard Rodgers Reader will offer endless delights.

The Songs of Max Reger

A Guide and Study

Author: Richard Mercier,Donald Nold

Publisher: Scarecrow Press

ISBN: 1461707234

Category: Music

Page: 352

View: 2491

This significant volume is the first to present in detail the entire prolific vocal repertoire of the late-Romantic German composer Max Reger. The Songs of Max Reger: A Guide and Study begins with a brief introduction discussing the development of German Lied, then journeys through this creative composer's works for voice and piano. With many musical examples, Richard Mercier and Donald Nold present a survey and discussion of Reger's lifetime of song output. The book proceeds through the songs chronologically by opus number, discussing each individually. All entries include details pertinent to the song's particular poem, its musical setting, the date of musical composition, the vocal range required, and discussion of specific vocal and pianistic features. The text also provides the original German poem, word-for-word English translation of the German text, IPA (International Phonetic Alphabet) pronunciation symbols for the German, and a prose version of the poetic text in English for better appreciation of the piece. An index and two appendixes complete this important reference, arranging the songs by title and poet and supplying information on vocal range, level of difficulty, and gender. Designed for the classical vocal music enthusiast and invaluable to the singer and vocal coach, this book, commemorating the 135th anniversary of the composer's birth, will also appeal to accompanists, Reger scholars, and lovers of German Lieder and German art and culture.

NKJV, The New Spirit-Filled Life Bible for Women, eBook

Promise and Purpose from God's Word

Author: Thomas Nelson

Publisher: Thomas Nelson

ISBN: 1418586536

Category: Bibles

Page: 1728

View: 4706

The Word of God is a love letter from the heart of our heavenly Father. It is unequaled in its ability to comfort, to counsel, to challenge, to exhort, and to change lives. The New Spirit-Filled Life Bible for Women beautifully presents the rich and timeless truths of God's living Word with wisdom from more than 100 of the most respected women in the body of Christ. These beloved authors, speakers, and ministry leaders have come together to help you understand and apply the Scriptures to your life as you discover God's promises and fulfill His holy purpose for you by the power of the Holy Spirit.

Movie Music, the Film Reader

Author: Kay Dickinson

Publisher: Psychology Press

ISBN: 9780415281607

Category: Performing Arts

Page: 207

View: 5482

This reader brings together a wide range of writings to examine the role of music in cinema. Articles by leading critics including Theodor Adorno, Lawrence Grossberg and Lisa A. Lewis explore the function of the soundtrack, the place of song in film, andlook at how cinema has represented music and the music industry.

Schumann

Author: Eric Frederick Jensen

Publisher: Oxford University Press

ISBN: 0199831955

Category: Music

Page: 400

View: 444

Robert Schumann is one of the most intriguing-and enigmatic-composers of the nineteenth century. Extraordinarily gifted in both music and literature, many of his compositions were inspired by poetry and novels. For much of his life he was better known as a music critic than as a composer. But whether writing as critic or composer, what he produced was created by him as a reflection of his often turbulent life. Best known was the tempestuous courtship of his future wife, the pianist Clara Wieck. Though marriage and family life seemed to provide a sense of constancy, he increasingly experienced periods of depression and instability. Mounting criticism of his performance as music director at Dusseldorf led to his attempted suicide in 1854. Schumann was voluntarily committed to an insane asylum near Bonn where, despite indications of improvement and dissatisfaction with his treatment, he spent the final two years of his life. Drawing on original research and newly published letters and journals from the time, author Eric Frederick Jensen presents a balanced portrait of the composer with both scholarly authority and engaging clarity. Biographical chapters alternate with discussion of Schumann's piano, chamber, choral, symphonic, and operatic works, demonstrating how the circumstances of his life helped shape the music he wrote. Chronicling the romance of Robert and Clara, Jensen offers a nuanced look at the evolution of their relationship, one that changed dramatically after marriage. He also follows Schumann's creative musical criticism, which championed the burgeoning careers of Chopin, Liszt, and Brahms and challenged the musical tastes of Europe.

How We Learn

The Surprising Truth About When, Where and Why It Happens

Author: Benedict Carey

Publisher: Pan Macmillan

ISBN: 1447252101

Category: Self-Help

Page: 304

View: 5411

This book will help you to learn Spanish - or the Spanish guitar - faster. This book will give an athlete the edge to turn Silver into Gold. This book will give any child the chance to perform better in exams. Full stop. How We Learn is a landmark book that shakes up everything we thought we knew about how the brain absorbs and retains information. Filled with powerful - and often thrillingly counter-intuitive - wisdom, stories and practical tips, it gets to the very heart of the learning process; and gives us the keys to reach our very fullest potential in every walk of life. 'This book is a revelation. I feel as if I've owned a brain for 54 years and only now discovered the operating manual . . . Benedict Carey serves up fascinating, surprising and valuable discoveries with clarity, wit, and heart.' Mary Roach, bestselling author of Stiff 'Whether you struggle to remember a client's name, aspire to learn a new language, or are a student battling to prepare for the next test, this book is a must. I know of no other source that pulls together so much of what we know about the science of memory, and couples it with practical, practicable advice.' Daniel T. Willingham, Professor of Psychology, University of Virginia 'Buy this book for yourself and for anyone who wants to learn faster and better.' Daniel Coyle, bestselling author of The Talent Code 'As fun to read as it is important, and as much about how to live as it is about how to learn. Benedict Carey's skills as a writer, plus his willingness to mine his own history as a student, give the book a wonderful narrative quality that makes it all the more accessible - and all the more effective as a tutorial.' Robert A. Bjork, Distinguished Professor of Psychology, University of California

Oliver!

A Dickensian Musical

Author: Marc Napolitano

Publisher: Oxford University Press

ISBN: 0190207302

Category: Performing Arts

Page: 304

View: 6185

When the show was first produced in 1960, at a time when transatlantic musical theatre was dominated by American productions, Oliver! already stood out for its overt Englishness. But in writing Oliver!, librettist and composer Lionel Bart had to reconcile the Englishness of his Dickensian source with the American qualities of the integrated book musical. To do so, he turned to the musical traditions that had defined his upbringing: English music hall, Cockney street singing, and East End Yiddish theatre. This book reconstructs the complicated biography of Bart's play, from its early inception as a pop musical inspired by a marketable image, through its evolution into a sincere Dickensian adaptation that would push English musical theatre to new dramatic heights. The book also addresses Oliver!'s phenomenal reception in its homeland, where audiences responded to the musical's Englishness with a nationalistic fervor. The musical, which has more than fulfilled its promise as one of the most popular English musicals of all time, remains one of the country's most significant shows. Author Marc Napolitano shows how Oliver!'s popularity has ultimately exerted a significant influence on two separate cultural trends. Firstly, Bart's adaptation forever impacted the culture text of Dickens's Oliver Twist; to this day, the general perception of the story and the innumerable allusions to the novel in popular media are colored heavily by the sights, scenes, sounds, and songs from the musical, and virtually every major adaptation of from the 1970s on has responded to Bart's work in some way. Secondly, Oliver! helped to move the English musical forward by establishing a post-war English musical tradition that would eventually pave the way for the global dominance of the West End musical in the 1980s. As such, Napolitano's book promises to be an important book for students and scholars in musical theatre studies as well as to general readers interested in the megamusical.