Der König auf Camelot

Author: T. H. White

Publisher: Klett-Cotta

ISBN: 3608109706

Category: Fiction

Page: 800

View: 5897

T. H. Whites »Der König auf Camelot« ist die umfassendste und eigenständigste Nachschöpfung der unsterblichen Artuslegende. Sie nannten ihn »die Warze«, und wie eine lästige Warze wurde der kleine Art von seinem Vetter Kay auch behandelt. Kay, der Sohn des Hauses, wurde in allen ritterlichen Fertigkeiten unterrichtet. Art hingegen hatte nur den uralten Zauberer Merlin zum Lehrer. Doch nicht Kay gelang es, das sagenumwobene Schwert aus dem Stein zu ziehen, sondern Art, dem künftigen König der Tafelrunde. Als viel später König Arthurs Frau Guinevra eine Liebschaft mit dem tapferen Ritter Lancelot eingeht und der intrigante Sir Mordred nach Arthurs Thron trachtet, nimmt das Schicksal seinen Lauf.

The Sword in the Stone (Disney)

Author: Carl Memling

Publisher: Golden/Disney

ISBN: 0736433732

Category: Juvenile Fiction

Page: 24

View: 9971

The classic Disney story of how a poor, lowly page ends up as the King of England--with a little help from Merlin the wizard--will delight boys and girls ages 2 to 5. Based on the classic Walt Disney animated movie, this Little Golden Book retelling of The Sword in the Stone was first published in 1963.

Magnus Chase 1: Das Schwert des Sommers

Author: Rick Riordan

Publisher: Carlsen

ISBN: 3646928530

Category: Juvenile Fiction

Page: 560

View: 933

Magnus schlägt sich nach dem Tod seiner Mutter allein auf der Straße durch, denn seinen Vater hat er nie gekannt. Bis er eines Tages etwas Unglaubliches erfährt: Er stammt von einem der nordischen Götter Asgards ab! Leider rüsten diese Götter gerade zum Krieg; auch Trolle, Riesen und andere Monster machen sich bereit. Ausgerechnet Magnus soll den Weltuntergang Ragnarök verhindern. Dafür muss er ein magisches Schwert finden, das seit 1000 Jahren verschollen ist. Noch hat er keine Ahnung, was für Abenteuer auf ihn warten! Alle Bände der Magnus-Chase-Serie: Magnus Chase − Das Schwert des Sommers Magnus Chase − Der Hammer des Thor Magnus Chase − Das Schiff der Toten

Medieval Afterlives in Contemporary Culture

Author: Gail Ashton

Publisher: Bloomsbury Publishing

ISBN: 144116068X

Category: Literary Criticism

Page: 368

View: 7002

With contributions from 29 leading international scholars, this is the first single-volume guide to the appropriation of medieval texts in contemporary culture. Medieval Afterlives in Contemporary Culture covers a comprehensive range of media, including literature, film, TV, comics book adaptations, electronic media, performances, and commercial merchandise and tourism. Its lively chapters range from Spamalot to the RSC, Beowulf to Merlin, computer games to internet memes, opera to Young Adult fiction and contemporary poetry, and much more. Also included is a companion website aimed at general readers, academics, and students interested in the burgeoning field of Medieval afterlives, complete with: - Further reading/weblinks - 'My favourite' guides to contemporary medieval appropriations - Images and interviews - Guide to library archives and manuscript collections - Guide to heritage collection See also our website at https://medievalafterlives.wordpress.com/.

Arthurian Animation

A Study of Cartoon Camelots on Film and Television

Author: Michael N. Salda

Publisher: McFarland

ISBN: 1476606145

Category: Performing Arts

Page: 220

View: 5442

This is an exploration of the potent blend of Arthurian legend, cartoon animation, and cultural and artistic trends from 1933 to the present. In more than 170 theatrical and televised short cartoons, televised series and specials, and feature-length films from The Sword in the Stone to Shrek the Third—all covered in this book—animators have repeatedly brought the Round Table to life. Although these productions differ greatly in tone and intent—spanning spectra from comic to sober, fantastic to realistic, and entertaining to edifying—they share in the proof of Camelot’s continuing relevance in the modern world.

The Quest For Arthur's Britain

Author: Geoffrey Ashe

Publisher: Chicago Review Press

ISBN: 1613733348

Category: History

Page: 318

View: 8819

The legend of Arthur and the Knights of the Round Table dominates the mythology of Britain, but could this story prove more fact than fiction? Recent archaeological findings have lead Geoffrey Ashe to believe there is more truth to Arthurian legend than previously accepted. The Quest for Arthur's Britain examines the historical foundation of the Arthurian tradition, and presents the remarkable results of excavations to date at Cadbury (reputed site of Camelot), Tintagel, Glastonbury and many places known almost exclusively to Arthurian scholars.

The Goshawk

Author: T.H. White

Publisher: New York Review of Books

ISBN: 1590175468

Category: Nature

Page: 240

View: 1688

The predecessor to Helen Macdonald’s H is for Hawk, T. H. White’s nature writing classic, The Goshawk, asks the age-old question: what is it that binds human beings to other animals? White, the author of The Once and Future King and Mistress Masham’s Repose, was a young writer who found himself rifling through old handbooks of falconry. A particular sentence—”the bird reverted to a feral state”—seized his imagination, and, White later wrote, “A longing came to my mind that I should be able to do this myself. The word ‘feral’ has a kind of magical potency which allied itself to two other words, ‘ferocious’ and ‘free.’” Immediately, White wrote to Germany to acquire a young goshawk. Gos, as White named the bird, was ferocious and Gos was free, and White had no idea how to break him in beyond the ancient (and, though he did not know it, long superseded) practice of depriving him of sleep, which meant that he, White, also went without rest. Slowly man and bird entered a state of delirium and intoxication, of attraction and repulsion that looks very much like love. White kept a daybook describing his volatile relationship with Gos—at once a tale of obsession, a comedy of errors, and a hymn to the hawk. It was this that became The Goshawk, one of modern literature’s most memorable and surprising encounters with the wilderness—as it exists both within us and without.

The Films of Tim Burton

Animating Live Action in Contemporary Hollywood

Author: Alison McMahan

Publisher: Bloomsbury Publishing USA

ISBN: 1623565227

Category: Social Science

Page: 278

View: 4130

Most Tim Burton films are huge box-office successes, and several are already classics. The director's mysterious and eccentric public persona attracts a lot of attention, while the films themselves have been somewhat overlooked. Here, Alison McMahan redresses this imbalance through a close analysis of Burton's key films () and their industrial context. She argues that Burton has been a crucial figure behind many of the transformations taking place in horror, fantasy, and sci-fi films over the last two decades, and demonstrates how his own work draws on a huge range of artistic influences: the films of George Melies, surrealism, installation art, computer games, and many more. The Films of Tim Burton is the most in-depth analysis so far of the work of this unusual filmmaker - a director who has shown repeatedly that it is possible to reject mainstream Hollywood contentions while maintaining critical popularrity and commercial success.

A Brief History of Walt Disney

Author: Brian J. Robb

Publisher: Hachette UK

ISBN: 1472110722

Category: Biography & Autobiography

Page: 160

View: 8821

Both a fascinating account of Walt Disney’s own significant artistic creations, from the iconic Mickey Mouse to the groundbreaking Snow White in 1937, and an insightful history of the hugely successful entertainment behemoth he created, from Dumbo to Pixar’s Toy Story, as well as the hugely popular theme parks. But Disney’s dark side is also explored: his disputed parentage; industrial disputes; his work for the FBI; and his anti-Communist and allegedly racist and antisemitic views. The company Disney built is today stronger than ever, encompassing not only the ongoing legacy of Disney animation, but also acting as the guardian of other well-loved creative endeavours, such as Pixar, The Muppets, Marvel Comics and now Star Wars. Sections include ‘Before Mickey: The Road to the Mouse House’, covering from 1901 to 1945 – the creation of Mickey Mouse, the creation of the world’s first full-length animated feature film, the Golden Age of animation and Disney’s help for the American war effort, despite labour disputes; ‘Disney Studios: The Disney Genius’ – difficult times, theme parks and television, live-action movies, including Mary Poppins; ‘Animation’s Second Coming’, from the Lady and the Tramp to The Sword in the Stone, and Walt Disney’s death; ‘After Walt: The Disney Legacy’ – family attempts to keep the studio afloat, decline and the loss of lustre in the 1970s and 1980s; ‘Disney Resurgent’ – a triumphant rebirth under new management with Who Framed Roger Rabbit? The Lion King and other blockbuster hits; ‘From Eisner to Iger’ – the corporate battle for the soul of Disney; ‘Disney Goes Digital’ – from Pixar to Star Wars, via Marvel Comics and The Muppets, Disney buyy up other studios, themselves often enough inspired by the original.

The Disney Middle Ages

A Fairy-Tale and Fantasy Past

Author: T. Pugh,S. Aronstein

Publisher: Springer

ISBN: 113706692X

Category: Performing Arts

Page: 298

View: 7728

For many, the middle ages depicted in Walt Disney movies have come to figure as the middle ages, forming the earliest visions of the medieval past for much of the contemporary Western (and increasingly Eastern) imagination. The essayists of The Disney Middle Ages explore Disney's mediation and re-creation of a fairy-tale and fantasy past, not to lament its exploitation of the middle ages for corporate ends, but to examine how and why these medieval visions prove so readily adaptable to themed entertainments many centuries after their creation. What results is a scrupulous and comprehensive examination of the intersection between the products of the Disney Corporation and popular culture's fascination with the middle ages.