How did Sussex get to look like what it looks like today? What does its distinctive landscape tell us about how people lived and worked in the past? What impact have invasion, technology, war and, most importantly, sheep made on it? This book explores how today's landscape is the joint and ongoing creation of nature's long shift.
Author: Peter Brandon
Category: Human geography
This is the changing story of Britain as it has been preserved in our fields, roads, buildings, towns and villages, mountains, forests and islands. From our suburban streets that still trace out the boundaries of long vanished farms to the Norfolk Broads, formed when medieval peat pits flooded, from the ceremonial landscapes of Stonehenge to the spread of the railways - evidence of how man's effect on Britain is everywhere. In The Making of the British Landscape, eminent historian, archaeologist and farmer, Francis Pryor explains how to read these clues to understand the fascinating history of our land and of how people have lived on it throughout time. Covering both the urban and rural and packed with pictures, maps and drawings showing everything from how we can still pick out Bronze Age fields on Bodmin Moor to how the Industrial Revolution really changed our landscape, this book makes us look afresh at our surroundings and really see them for the first time.
How We Have Transformed the Land, from Prehistory to Today
Author: Francis Pryor
Publisher: Penguin UK
There is a greater difference between life in Sussex today and life one hundred years ago than there was between the times of our great-grandparents and of Queen Elizabeth, for in 1900 Sussex away from the seaside resorts had more in common with the Sussex of 1700 than today's county. Horse power still set the pace of life and thistledown floated up from the spacious sheepwalks in high summer. Hazel and chestnut coppice was still cut regularly, men had not left off singing, and the bell-teams of wagon horses on the road were familiar sounds in what was called 'sleepy, snoozy, Sussex'. This book examines the social, cultural and environmental changes which went into the making of modern Sussex from the end of the 18th century, particularly those that resulted from the invasion of wideeyed Londoners as tourists and health-seekers, writers and artists, weekenders or permanent residents, in the half-century up to 1939. Those in favour of innovation and progress, who wanted to let things run their course, gave their active or tacit support to change, but there were others who abhorred the modern age and tried angrily to reverse the process. There were also those who fought on behalf of the countryside and resisted urbanisation by means of landscape protection, thus saving much of the county from bricks and mortar. Sussex became a foil to the metropolis on its doorstep, functioning as a re-discovered Eden in the guise of an undeclared national park, with values and lifestyles at variance with those of the capital city. The remarkable efflorescence of painting, writing, arts and crafts, domestic architecture, and landscape design and planning was deeply affected by the nostalgia for the countryside which accompanied the rapid and largely unplanned metropolitan growth. Writers and promoters of tourism created a rural ideology designed to meet the strains and stresses of the new urban mode of existence.
Author: Peter Brandon
Category: Sussex (England)
From pre-history to the present day our landscape has been transformed by dramatic human disturbance, triggered by the rise and fall of populations and their need to be fed, housed, and employed. These changes have built-up layers of evidence which today present historians with exciting new insights about land use and rural communities of the past. In this groundbreaking new study Joan Thirsk and her team of distinguished contributors, many of whom live in the very landscape they so intimately describe, invite us to explore the historical richness of the English landscape. Each chapter synthesizes the very latest thinking and provides fresh perspectives on its specific subject. The first ten chapters in turn describe the characteristic features of the main regional landscape types, including fenlands, downlands, woodlands, marshlands, and moorlands, showing that, however physically scattered they may be, they have been moulded by successive generations to produce many uniting similarities.
Author: Joan Thirsk
Publisher: Oxford University Press, USA
Historians are increasingly looking beyond the traditional, and turning to visual, oral, aural, and virtual sources to inform their work. The challenges these sources pose require new skills of interpretation and require historians to consider alternative theoretical and practical approaches. In order to help historians successfully move beyond traditional text, Sarah Barber and Corinna Peniston-Bird bring together chapters from historical specialists in the fields of fine art, photography, film, oral history, architecture, virtual sources, music, cartoons, landscape and material culture to explain why, when and how these less traditional sources can be used. Each chapter introduces the reader to the source, suggests the methodological and theoretical questions historians should keep in mind when using it, and provides case studies to illustrate best practice in analysis and interpretation. Pulling these disparate sources together, the introduction discusses the nature of historical sources and those factors which are unique to, and shared by, the sources covered throughout the book. Taking examples from around the globe, this collection of essays aims to inspire practitioners of history to expand their horizons, and incorporate a wide variety of primary sources in their work.
A Student’s Guide to Approaching Alternative Sources
Author: Sarah Barber,Corinna Peniston-Bird
Isabel and Julian Bannerman have been described as "mavericks in the grand manner, touched by genius" (Min Hogg, World of Interiors) and "the Bonnie and Clyde of garden design" (Ruth Guilding, The Bible of British Taste). Their approach to design, while rooted in history and the classical tradition, is fresh, eclectic and surprising. They designed the British 9/11 Memorial Garden in New York and have also designed gardens for the Prince of Wales at Highgrove and the Castle of Mey, Lord Rothschild at Waddesdon Manor, the Duke and Duchess of Norfolk at Arundel Castle in Sussex and John Paul Getty II at Wormsley in Buckinghamshire. The garden they made for themselves at Hanham Court near Bath was acclaimed by Gardens Illustrated as the top garden of 2009, ahead of Sissinghurst. When they moved from Hanham it was to the fairytale castle of Trematon overlooking Plymouth Sound, where they have created yet another magical garden. Landscape of Dreams celebrates the imaginative and practical process of designing, making and planting all of these gardens, and many more.
The Gardens of Isabel & Julia Bannerman
Author: Isabel Bannerman,Julian Bannerman
Publisher: Pimpernel Press
Britain is famous all over the world for its gardens. In this book Helena Attlee focuses on twenty of the finest gardens in the country. Her choice encompasses a rich selection of sites all over England, Scotland, Wales and Northern Ireland, ranging from famous eighteenth-century landscapes such as Stourhead to quirky modern gardens such as Charles Jencks' Garden of Cosmic Speculation in the Scottish borders. Her lively text provides a brief history of each garden combined with a vivid account of its main features. Alex Ramsay's dazzling photographs reveal the gardens at their best. Gardens include: Crathes (Inverness), Crarae (Argyll & Bute), Garden of Cosmic Speculation (Dumfries), Little Sparta (Lanarkshire), Alnwick (Northumberland), Levens (Cumbria), Scampston (Yorkshire), Mount Stewart (Co. Down), Bodnant (Clwyd), Powis Castle (Powys), Stourhead (Wiltshire), Hidcote (Gloucestershire), Great Dixter (Sussex), East Rushton (Norfolk), Beth Chatto's Garden (Essex), Kew (London), Wisley (Surrey), Sissinghurst (Kent), Eden Project (Cornwall), Tresco (Scilly Isles).
Author: Helena Attlee
Publisher: Frances Lincoln
Drawing on three decades of feminist scholarship bent on rediscovering lost and abandoned women writers, Susan Staves provides a comprehensive history of women's writing in Britain from the Restoration to the French Revolution. This major work of criticism also offers fresh insights about women's writing in all literary forms, not only fiction, but also poetry, drama, memoir, autobiography, biography, history, essay, translation and the familiar letter. Authors celebrated in their own time and who have been neglected, and those who have been revalued and studied, are given equal attention. The book's organisation by chronology and its attention to history challenge the way we periodise literary history. Each chapter includes a list of key works written in the period covered, as well as a narrative and critical assessment of the works. This magisterial work includes a comprehensive bibliography and list of prevalent editions of the authors discussed.
Author: Susan Staves
Publisher: Cambridge University Press
Category: Literary Criticism
The Landscape Photographer of the Year competition is the brainchild of Charlie Waite, one of today's most respected landscape photographers. With AA Publishing, he created this prestigious competition and award with a total prize fund exceeding �20,000, coupled with an exhibition in London showcasing the best of the competition. The full-color book showcasing the best entries has been hugely successful in its first 10 years. Like the others before it, the 11th edition features both classic shots of verdant rural countryside and stark urban landscapes capturing the beauty and diversity of 21st century Britain.
Author: Charlie Waite
Publisher: Landscape Photographer of the
Now in paperback: the second spectacular full-colour garden design book from Jamie Durie, host of the hugely successful Backyard Blitz and The Block.
Author: Jamie Durie,Simon Kenny
Publisher: Allen & Unwin
Category: House & Home
An historical atlas of Sussex
Author: Kim Leslie,Brian Short
Publisher: History PressLtd
Between 1937 and 1938, garden designer Christopher Tunnard published a series of articles in the British Architectural Review that rejected the prevailing English landscape style. Inspired by the principles of Modernist art and Japanese aesthetics, Tunnard called for a "new technique" in garden design that emphasized an integration of form and purpose. "The functional garden avoids the extremes both of the sentimental expressionism of the wild garden and the intellectual classicism of the 'formal' garden," he wrote; "it embodies rather a spirit of rationalism and through an aesthetic and practical ordering of its units provides a friendly and hospitable milieu for rest and recreation." Tunnard's magazine pieces were republished in book form as Gardens in the Modern Landscape in 1938, and a revised second edition was issued a decade later. Taken together, these articles constituted a manifesto for the modern garden, its influence evident in the work of such figures as Lawrence Halprin, Philip Johnson, and Edward Larrabee Barnes. Long out of print, the book is here reissued in a facsimile of the 1948 edition, accompanied by a contextualizing foreword by John Dixon Hunt. Gardens in the Modern Landscape heralded a sea change in the evolution of twentieth-century design, and it also anticipated questions of urban sprawl, historic preservation, and the dynamic between the natural and built environments. Available once more to students, practitioners, and connoisseurs, it stands as a historical document and an invitation to continued innovative thought about landscape architecture.
A Facsimile of the Revised 1948 Edition
Author: Christopher Tunnard
Publisher: University of Pennsylvania Press