The Harmonic Organization of the Rite of Spring

Author: Allen Forte

Publisher: Yale University Press

ISBN: 9780300105377

Category: Music

Page: 160

View: 6251

Forte here applies his analytical approach as set forth in The Structure of Atonal Music to one of the monuments of modern music. Together the introduction and the analysis, with its more than 100 musical examples, both illuminate the structure of the work and demonstrate the way in which Forte's method may be applied in the analysis of complex music. [This study] is welcome and long overdue. The influence of Allen Forte on contemporary music theory has been enormous, and The Harmonic Organization of The Rite of Spring has importance for a number of serious musicians, particularly, for disciples and others interested in set-theoretic approach, and for those interested in Stravinsky's work..Seeing the theory applied consistently to a specific work can show if it provides any true illumination of the work..This study should not be ignored.-Frank Retzel, Notes

Analyzing Atonal Music

Pitch-class Set Theory and Its Contexts

Author: Michiel Schuijer

Publisher: University Rochester Press

ISBN: 9781580462709

Category: Music

Page: 306

View: 5372

An engaging study -- the first ever -- of the principles used by noted scholars to unravel the masterpieces of Schoenberg, Stravinsky, and other modernists.

Mathematics and Computation in Music

Second International Conference, MCM 2009, New Haven, CT, USA, June 19-22, 2009. Proceedings

Author: Elaine Chew,Adrian Childs,Ching-Hua Chuan

Publisher: Springer Science & Business Media

ISBN: 3642023940

Category: Computers

Page: 298

View: 9026

This book constitutes the refereed proceedings of the Second International Conference on Mathematics and Computation in Music, MCM 2009, held in New Haven, CT, USA, in June 2009. The 26 revised full papers presented were carefully reviewed and selected from 38 submissions. The MCM conference is the flagship conference of the Society for Mathematics and Computation in Music. The papers deal with topics within applied mathematics, computational models, mathematical modelling and various further aspects of the theory of music. This year’s conference is dedicated to the honor of John Clough whose research modeled the virtues of collaborative work across the disciplines.

The Stravinsky Legacy

Author: Jonathan Cross

Publisher: Cambridge University Press

ISBN: 9780521563659

Category: Music

Page: 282

View: 3059

It has become increasingly apparent in recent decades that Stravinsky's music has had far-reaching influence on the development of music in our century. Stravinsky's modernist innovations - evident in such features as his music's discontinuity, its stasis, its ritualized anti-narrative, its novel rhythmic and formal structures, its articulation of new kinds of musical time, and its reinterpretation of music and materials from the past - have helped shape much of the music of our time. This book represents a first substantial attempt to evaluate Stravinsky's technical and aesthetic legacy. In Part I ('The Stravinsky Legacy'), Jonathan Cross explores the breadth of Stravinsky's impact on the music of composers as diverse as Adams, Andriessen, Birtwistle, Boulez, Carter, Messiaen, Reich, Stockhausen, Tippett, Varèse and Xenakis. In Part II ('Stravinsky Reheard') he returns to Stravinsky's neoclassical music to examine how recent developments in composition and musicology affect our understanding of and analytical approaches to Stravinsky.

The Right Notes

Twenty-three Selected Essays by George Perle on Twentieth-century Music

Author: George Perle

Publisher: Pendragon Press

ISBN: 9780945193371

Category: Music

Page: 310

View: 8596


Harmony Book

Author: Elliott Carter

Publisher: Carl Fischer, L.L.C.

ISBN: 9780825845949

Category: Music

Page: 369

View: 8903

This comprehensive resource features more than 400 projections and colour illustrations augmented by MRI images for added detail to enhance the anatomy and positioning presentations.

The Cambridge History of Western Music Theory

Author: Thomas Christensen

Publisher: Cambridge University Press

ISBN: 1316025489

Category: Music

Page: N.A

View: 9739

The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.

Schoenberg's New World

The American Years

Author: Sabine Feisst

Publisher: Oxford University Press

ISBN: 0199792631

Category: Music

Page: 400

View: 5732

Arnold Schoenberg was a polarizing figure in twentieth century music, and his works and ideas have had considerable and lasting impact on Western musical life. A refugee from Nazi Europe, he spent an important part of his creative life in the United States (1933-1951), where he produced a rich variety of works and distinguished himself as an influential teacher. However, while his European career has received much scholarly attention, surprisingly little has been written about the genesis and context of his works composed in America, his interactions with Americans and other ?migr?s, and the substantial, complex, and fascinating performance and reception history of his music in this country. Author Sabine Feisst illuminates Schoenberg's legacy and sheds a corrective light on a variety of myths about his sojourn. Looking at the first American performances of his works and the dissemination of his ideas among American composers in the 1910s, 1920s and early 1930s, she convincingly debunks the myths surrounding Schoenberg's alleged isolation in the US. Whereas most previous accounts of his time in the US have portrayed him as unwilling to adapt to American culture, this book presents a more nuanced picture, revealing a Schoenberg who came to terms with his various national identities in his life and work. Feisst dispels lingering negative impressions about Schoenberg's teaching style by focusing on his methods themselves as well as on his powerful influence on such well-known students as John Cage, Lou Harrison, and Dika Newlin. Schoenberg's influence is not limited to those who followed immediately in his footsteps-a wide range of composers, from Stravinsky adherents to experimentalists to jazz and film composers, were equally indebted to Schoenberg, as were key figures in music theory like Milton Babbitt and David Lewin. In sum, Schoenberg's New World contributes to a new understanding of one of the most important pioneers of musical modernism.

The Collected Essays of Milton Babbitt

Author: Milton Babbitt

Publisher: Princeton University Press

ISBN: 1400841224

Category: Music

Page: 544

View: 540

Like his compositions, Milton Babbitt's writings about music have exerted an extraordinary influence on postwar music and thinking about music. In essays and public addresses spanning fifty years, Babbitt has grappled profoundly with central questions in the composition and apprehension of music. These writings range from personal memoirs and critical reviews to closely reasoned metatheoretical speculations and technical exegesis. In the history of music theory, there has been only a small handful of figures who have produced work of comparable stature. Taken as a whole, Babbitt's writings are not only an invaluable testimony to his thinking--a priceless primary source for the intellectual and cultural history of the second half of the twentieth century--but also a remarkable achievement in their own right. Prior to this collection, Babbitt's writings were scattered through a wide variety of journals, books, and magazines--many hard to find and some unavailable--and often contained typographical errors and editorial corruptions of various kinds. This volume of almost fifty pieces gathers, corrects, and annotates virtually everything of significance that Babbitt has written. The result is complete, authoritative, and fully accessible--the definitive source of Babbitt's influential ideas.

Mathematics and Computation in Music

Third International Conference, MCM 2011, Paris, France, June 15-17, 2011. Proceedings

Author: Carlos Agon,Emmanuel Amiot,Moreno Andreatta,Gerard Assayag,Jean Bresson,John Manderau

Publisher: Springer

ISBN: 3642215904

Category: Computers

Page: 375

View: 4969

This book constitutes the refereed proceedings of the Third International Conference on Mathematics and Computation in Music, MCM 2011, held in Paris, France, in June 2011. The 24 revised full papers presented and the 12 short papers were carefully reviewed and selected from 62 submissions. The MCM conference is the flagship conference of the Society for Mathematics and Computation in Music. This year’s conference aimed to provide a multi-disciplinary platform dedicated to the communication and exchange of ideas amongst researchers involved in mathematics, computer science, music theory, composition, musicology, or other related disciplines. Areas covered were formalization and geometrical representation of musical structures and processes; mathematical models for music improvisation and gestures theory; set-theoretical and transformational approaches; computational analysis and cognitive musicology as well as more general discussions on history, philosophy and epistemology of music and mathematics.

Perception And Cognition Of Music

Author: Irene Deliege,John A. Sloboda

Publisher: Psychology Press

ISBN: 1135472238

Category: Psychology

Page: 480

View: 342

This text comprises of reviews of work relating to music and mind. It presents a range of approaches from the psychological through the computational, to the musicological. The reviews were selected from papers submitted at the Third International Conference on Music Perception and Cognition Liege 1994 to illustrate the wide range of perspectives now being adopted in studying how humans make and respond to music. The book is divided ino five sections. The first part illustrates the role of analysis and ethnomusicology in understanding cultural determinants of musical behaviour. The second part charts what is known about aquisition of musical competence, from pre-birth through to the expert performer. The evidence accumulated about specific areas of the brain which control musical thinking and behaviour is examined in Part Three. The fourth part examines how neurological, behavioural and artificial intelligence approaches are converging to shed light on processes in auditory perception. Finally, Part Five highlights the important developments in how we conceptualize the way in which musical structures are represented in the mind.

Computers in Language Research 2

Part I: Formalization in Literary and Discourse Analysis. Part II: Notating the Language of Music, and the (Pause) Rhythms of Speech

Author: Walter A. Sedelow,Sally Yeates Sedelow

Publisher: Walter de Gruyter

ISBN: 3110823349

Category: Language Arts & Disciplines

Page: 309

View: 6779

TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.

Generalized Musical Intervals and Transformations

Author: David Lewin

Publisher: Oxford University Press, USA

ISBN: 0199759944

Category: Music

Page: 258

View: 9470

David Lewin's Generalized Musical Intervals and Transformations is recognized as the seminal work paving the way for current studies in mathematical and systematic approaches to music analysis. Lewin, one of the 20th century's most prominent figures in music theory, pushes the boundaries of the study of pitch-structure beyond its conception as a static system for classifying and inter-relating chords and sets. Known by most music theorists as "GMIT", the book is by far the most significant contribution to the field of systematic music theory in the last half-century, generating the framework for the "transformational theory" movement. Appearing almost twenty years after GMIT's initial publication, this Oxford University Press edition features a previously unpublished preface by David Lewin, as well as a foreword by Edward Gollin contextualizing the work's significance for the current field of music theory.

Howard Hanson in Theory and Practice

Author: Allen Laurence Cohen

Publisher: Greenwood Publishing Group

ISBN: 9780313321351

Category: Music

Page: 202

View: 4339

Examines the relationship between theory and the employment of that theory in the works of Howard Hanson, prominent twentieth-century composer, conductor, educator, and champion of American music.

Musiktheorie

Author: Helga De la Motte-Haber,Oliver Schwab-Felisch

Publisher: N.A

ISBN: N.A

Category: Music

Page: 524

View: 6501


A Companion to Europe, 1900 - 1945

Author: Gordon Martel

Publisher: John Wiley & Sons

ISBN: 9781444391671

Category: History

Page: 584

View: 5624

This volume brings together a distinguished group of international scholars to discuss the major debates in the study of early twentieth-century Europe. Brings together contributions from a distinguished group of international scholars. Provides an overview of current thinking on the period. Traces the great political, social and economic upheavals of the time. Illuminates perennial themes, as well as new areas of enquiry. Takes a pan-European approach, highlighting similarities and differences across nations and regions.