Text in Textile Art

Author: Sara Impey

Publisher: B T Batsford Limited

ISBN: 9781849940429

Category: Art

Page: 128

View: 5642

The use of text is currently very popular in textile art, and its creative potential is unlimited. Text can engage directly with the viewer to express personal concerns, social and political issues and even humour. In this exciting new book, Sara Impey, one of the world's best-known textile artists and an innovator in using text in her work, presents the definitive guide to text in textiles. She aims to inspire makers with the confidence to use text, to illustrate how it can be used as a means of self-expression, and to provide advice on where to look for sources of inspiration. The book includes a brief discussion of stitched lettering in history, and examines the current scene, including contemporary artists such as Tracey Emin. It then goes on to explore how to find inspiration for your work, whether personal or political, with exercises on how to get your thoughts organized. Finally, a wealth of practical tips are given on how to get text into your work, including hand-stitching techniques, computers and the new generation of sewing machines, photo transfer, found objects and the use of newsprint and other printed materials. It also contains valuable information on copyright. This fascinating book is perfect for any textile artist who wants to add an extra dimension to their work by incorporating text.

Stitch Stories

Personal places, spaces and traces in textile art

Author: Cas Holmes

Publisher: Pavilion Books

ISBN: 1849943346

Category: Crafts & Hobbies

Page: 128

View: 1332

The events of your life, from local walks to exotic trips, can provide endless inspiration for textile art. This inspiring book shows you how to record your experiences, using sketchbooks, journals and photography, to create personal narratives that can form a starting point for more finished stitched-textile pieces. Acclaimed textile artist and teacher Cas Holmes, whose work is often inspired by her life and the journeys she makes, helps you find inspiration through your own life and explains how to record what you see in sketchbooks and journals, which can often become beautiful objects in themselves. She explains how you can use photography, both as documentation and as inspiration, and sometimes incorporate it into the work itself, along with found objects and ephemera. Throughout the book are useful techniques that can be harnessed to add extra interest to your work, such as methods for making layered collages, how to 'sketch' with stitch, and advice on design and colour. If you want to create beautiful, unique work inspired by your life and travels, this is the perfect book for you.

Guide to the Literature of Art History 2

Author: Max Marmor,Alex Ross

Publisher: Amer Library Assn

ISBN: N.A

Category: Art

Page: 899

View: 7289

Among the most engaging genres of scholarly literature, art history and architecture history publications appeal to the eye as well as the intellect. In the late 20th century the literature of art history has been documented by two standard reference bibliographies published by the American Library Association: Mary Chamberlin's Guide to Art Reference Books (ALA 1959), and Guide to the Literature of Art History by Etta Arntzen and Robert Rainwater (ALA Editions, 1980). Now, a new supplementary volume, Guide to the Literature of Art History 2 (ALA Editions, 2004) has arrived to record and annotate the best art and architecture books and journals published worldwide in the last two decades of the 20th century. supplement its predecessor by recording important publications produced primarily in western languages. Adopting the chapter and numbering system of the first volume, GLAH 2 will help art scholars keep abreast of more recent publications in art and architectural history. An expert team of 24 contributors has come together with editors Max Marmor and Alex Ross to produce this significant work, featuring new titles, volumes, editions, and reprints, while providing ample cross referencing to GLAH 1. and Cultural Heritage, which covers the literature of art preservation and art law. Librarians and scholars will welcome the new collection development information, including: The best electronic art and architectural history sources. Cumulative 40-year bibliography of art history literature, with GLAH 1. Critical selection of nearly all literature in art history, primarily in Western European languages, since 1977. Resources for art historians outside their areas of specialization. architectural literature for the last two decades of the 20th century, Guide to the Literature of Art History 2 is the authoritative, must-have resource for all art history students, institutions, and agencies.

The Handbook of Textile Culture

Author: Janis Jefferies,Diana Wood Conroy,Hazel Clark

Publisher: Bloomsbury Publishing

ISBN: 1474275788

Category: Business & Economics

Page: 512

View: 4695

In recent years, the study of textiles and culture has become a dynamic field of scholarship, reflecting new global, material and technological possibilities. This is the first handbook of specially commissioned essays to provide a guide to the major strands of critical work around textiles past and present and to draw upon the work of artists and designers as well as researchers in textiles studies. The handbook offers an authoritative and wide-ranging guide to the topics, issues, and questions that are central to the study of textiles today: it examines how material practices reflect cross-cultural influences; it explores textiles' relationships to history, memory, place, and social and technological change; and considers their influence on fashion and design, sustainable production, craft, architecture, curation and contemporary textile art practice. This illustrated volume will be essential reading for students and scholars involved in research on textiles and related subjects such as dress, costume and fashion, feminism and gender, art and design, and cultural history. Cover image: Anne Wilson, To Cross (Walking New York), 2014. Site-specific performance and sculpture at The Drawing Center, NYC. Thread cross research. Photo: Christie Carlson/Anne Wilson Studio.

Textile Poesie

Stoffgeschichten

Author: Gisela Hafer

Publisher: N.A

ISBN: 9783875127621

Category:

Page: 132

View: 8731


FilzGeschichten

ein Arbeitstagebuch über vier Jahreszeiten

Author: Annette Quentin-Stoll

Publisher: N.A

ISBN: 9783875127607

Category:

Page: 192

View: 8181


Textile Techniken in Metall

für Schmuckherstellung, Textilkunst und Bildhauerei

Author: Arline M. Fisch

Publisher: N.A

ISBN: 9783258057330

Category:

Page: 160

View: 3867

Aus dem Inhaltsverzeichnis: - Historische Beispiele - Notwendige Materialien, Werkzeuge und Verfahren - Weben - Stricken - Häkeln - Flechten - Verkreuzungen und ihre Variationen; Sprang und Klöppelspitzen - Korbflechten - Knoten und Knüpfen - 11 zeitgenössische Arbeiten. Ein bebilderter Überblick (Quelle: Verlagsinformation).

New Feminist Art Criticism

Critical Strategies

Author: Katy Deepwell

Publisher: Manchester University Press

ISBN: 9780719042584

Category: Art

Page: 201

View: 8540

The artist, the critic and the academic: feminism's problematic relationship with 'Theory'/ Janet Wolff -- Preaching to the converted? Feminist art publishing in the 1980s / Frances Borzello -- The sphinx contemplating Napoleon : black women artists in Britain / Gilane Tawadros -- Reading between the lines: the imprinted spaces of Sutapa Biswas / Moira Roth -- Modernism, art education and sexual difference /Pen Dalton -- Eyewitnesses, not spectators/activists, not academics: feminist pedagogy and women's creativity / Val A. Walsh -- Exhibiting strategies / Debbie Duffin -- The situation of women curators / Elizabeth A. MacGregor -- Afterthoughts on curating 'The subversive stitch' / Pennina Barnett -- The cult of the individual / Fran Cottell -- On women dealers in the art world / Maureen Paley -- Where do we draw the line? An investigation into the censorship of art / Anna Douglas --Women's movements: feminism, censorship and performance art / Sally Dawson -- Why have there been no great women pornagraphers? / Naomi Salaman -- Just jamming: Irigaray, painting and psychoanalysis / Christine Battersby -- Border crossing: womanliness, body, repre-sentation / Hilary Robinson -- (P)age 49: on the subject of history / Mary Kelly -- Models of painting practice: too much body? / Joan Key --Text and textiles: weaving across the borderlines / Janis Jefferies --Kinda art, sorta tapestry ... / Ann Newdigate -- Sewn constructions / Dinah Prentice -- Penelope and the unravelling of history / Ruth Scheuing.

FilzExperiment

Author: Annette Quentin-Stoll,Robert Quentin

Publisher: N.A

ISBN: 9783875127553

Category: Anleitung

Page: 191

View: 818


Textile Art of Japan

Author: Sunny Yang,Rochelle M. Narasin

Publisher: Japan Publications

ISBN: 9784889960617

Category: Antiques & Collectibles

Page: 144

View: 5421

The Japanese have traditionally viewed textiles as an embodiment of not only beauty but also family heirlooms and repositories of history, making the study of Japanese fabric a door into another culture, another people, another time. In Textile Art of Japan, Sunny Yang and Rochelle Narasin venture through that door, inviting the reader to follow them. They start with a brief but informative history of those most typical forms of Japanese dress, the kimono and the obi, and then move on to introduce the techniques of dyeing, weaving, and needlework that distinguish Japanese textiles, discussing their traditions, practical methods, and use on different types of fabrics. This richly illustrated volume, with over 200 color illustrations, is the perfect introduction to the subject of Japanese textiles. It includes examples of modern Japanese fabrics made according to or by adapting traditional methods, and shows them used in innovative ways: in quilts, screens, cushions, and hats. A list of museums all over Japan with fine fabric collections and a selected bibliography are helpful additions to this beautiful book.

Weaving the Word

The Metaphorics of Weaving and Female Textual Production

Author: Kathryn Sullivan Kruger

Publisher: Susquehanna University Press

ISBN: 9781575910529

Category: Literary Criticism

Page: 187

View: 1913

"Through an analysis of specific weaving stories, the difference between a text and a textile becomes blurred. Such stories portray women weavers transforming their domestic activity of making textiles into one of making texts by inscribing their cloth with both personal and political messages."--BOOK JACKET.

Journeys

Reconceptualizing Early Childhood Practices through Pedagogical Narration

Author: Veronica Pacini-Ketchabaw,Fikile Nxumalo,Laurie Kocher,Enid Elliot,Alejandra Sanchez

Publisher: University of Toronto Press

ISBN: 1442609451

Category: Education

Page: 264

View: 4059

Inspired by the idea of documentation as a valuable tool for making learning visible, pedagogical narration offers an opportunity to move beyond checklists and quick answers to a more complex understanding of how children learn, and how teachers might facilitate and support that learning in innovative ways. The authors use stories they collected during a collaborative study to offer a range of possibilities for alternative childhood pedagogies. Cutting edge, yet practical; detailed in its analysis, yet inspiring, this book is a boon to the field of early childhood and primary education studies.

HALI

The International Journal of Oriental Carpets and Textiles

Author: N.A

Publisher: N.A

ISBN: N.A

Category: Rugs, Oriental

Page: N.A

View: 762


Chemical Principles of Textile Conservation

Author: Agnes Timar-Balazsy,Dinah Eastop

Publisher: Routledge

ISBN: 1136000348

Category: Social Science

Page: 480

View: 5844

'Chemical Principles of Textile Conservation' provides must-have knowledge for conservators who do not always have a scientific background. This vital book brings together from many sources the material science necessary to understand the properties, deterioration and investigation of textile artefacts. It also aids understanding of the chemical processes during various treatments, such as: cleaning; humidification; drying; disinfestation; disinfection; and the use of adhesives and consolidants in conservation of historical textiles. Textile conservators will now have ready access to the necessary knowledge to understand the chemistry of the objects they are asked to treat and to make informed decisions about how to preserve textiles. The combination of a chemist and a conservator provides the perfect authorial team. It ensures a unique dual function of the text which provides textile conservators with vital chemical knowledge and gives scientists an understanding of textile conservation necessary to direct their research. The many practical examples and case studies illustrate the utility of the relatively large chemical introduction and the essential chemical information which is included. The case studies, many illustrated in colour, range from the treatment of the Ghandis' clothes, high-altitude flying suits and a Mary Quant raincoat, to the Hungarian Coronation Mantle.