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Author: Morris Hicky Morgan,Vitruvius Pollio,Herbert Langford Warren
Publisher: Scholar's Choice
This title was first published in 2003. Germain Boffrand was one of the great French architects of the early eighteenth century. His work encompassed not only the design of town and country houses for the wealthy but also mines, bridges and hospitals. His Livre d’Architecture is one of the most original books on architecture ever written in France. Taking the Art of Poetry by the Latin poet Horace as its starting point, it developed an aesthetic of architecture focused on character, style and the emotional impact of a building that influenced Blondel, Le Camus de Mezieres and Soane, and is still central to contemporary debate about the nature and meaning of architecture. Translated for the first time by David Britt, Boffrand’s text is here accompanied by an extensive introduction and notes by Caroline van Eck who situates Boffrand within the main issues of eighteenth-century architectural aesthetics. Beautifully illustrated, including all the pictures chosen by Boffrand for his original publication, this book is an invaluable tool for teaching the history of architectural theory and an essential work for any architectural library. Germain Boffrand is published with the assistance of the Getty Foundation.
Book of Architecture Containing the General Principles of the Art and the Plans, Elevations and Sections of some of the Edifices Built in France and in Foreign Countries
Author: Caroline van Eck
Rare classic helped introduce the glories of ancient architecture to the Renaissance. 68 black-and-white plates. Extremely rare and valuable volume — now available in inexpensive paperback edition.
the 1755 Leoni edition
Author: Leon Battista Alberti,Cosimo Bartoli,Giacomo Leoni
Publisher: Dover Pubns
1. The architect should be equipped with knowledge of many branches of study and varied kinds of learning, for it is by his judgement that all work done by the other arts is put to test. This knowledge is the child of practice and theory. Practice is the continuous and regular exercise of employment where manual work is done with any necessary material according to the design of a drawing. Theory, on the other hand, is the ability to demonstrate and explain the productions of dexterity on the principles of proportion. 2. It follows, therefore, that architects who have aimed at acquiring manual skill without scholarship have never been able to reach a position of authority to correspond to their pains, while those who relied only upon theories and scholarship were obviously hunting the shadow, not the substance. But those who have a thorough knowledge of both, like men armed at all points, have the sooner attained their object and carried authority with them. 3. In all matters, but particularly in architecture, there are these two points:—the thing signified, and that which gives it its significance. That which is signified is the subject of which we may be speaking; and that which gives significance is a demonstration on scientific principles. It appears, then, that one who professes himself an architect should be well versed in both directions. He ought, therefore, to be both naturally gifted and amenable to instruction. Neither natural ability without instruction nor instruction without natural ability can make the perfect artist. Let him be educated, skilful with the pencil, instructed in geometry, know much history, have followed the philosophers with attention, understand music, have some knowledge of medicine, know the opinions of the jurists, and be acquainted with astronomy and the theory of the heavens. 4. The reasons for all this are as follows. An architect ought to be an educated man so as to leave a more lasting remembrance in his treatises. Secondly, he must have a knowledge of drawing so that he can readily make sketches to show the appearance of the work which he proposes. Geometry, also, is of much assistance in architecture, and in particular it teaches us the use of the rule and compasses, by which especially we acquire readiness in making plans for buildings in their grounds, and rightly apply the square, the level, and the plummet. By means of optics, again, the light in buildings can be drawn from fixed quarters of the sky. It is true that it is by arithmetic that the total cost of buildings is calculated and measurements are computed, but difficult questions involving symmetry are solved by means of geometrical theories and methods. 5. A wide knowledge of history is requisite because, among the ornamental parts of an architect's design for a work, there are many the underlying idea of whose employment he should be able to explain toGree inquirers. For instance, suppose him to set up the marble statues of women in long robes, called Caryatides, to take the place of columns, with the mutules and coronas placed directly above their heads, he will give the following explanation to his questioners. Caryae, a state in Peloponnesus, sided with the Persian enemies against Greece; later the Greeks, having gloriously won their freedom by victory in the war, made common cause and declared war against the people of Caryae. They took the town, killed the men, abandoned the State to desolation, and carried off their wives into slavery, without permitting them, however, to lay aside the long robes and other marks of their rank as married women, so that they might be obliged not only to march in the triumph but to appear forever after as a type of slavery, burdened with the weight of their shame and so making atonement for their State. Hence, the architects of the time designed for public buildings statues of these women, placed so as to carry a load..
Author: Vitruvius Vitruvius
Publisher: eKitap Projesi via PublishDrive
Author: Marcus VITRUVIUS POLLIO,Joseph GWILT
The only full treatise on architecture and its related arts to survive from classical antiquity, the De Architectura libri decem (Ten Books on Architecture) is the single most important work of architectural history in the Western world, having shaped humanist architecture and the image of the architect from the Renaissance to the present. This new, critical edition of Vitruvius' Ten Books of Architecture is the first to be published for an English-language audience in more than half a century. Expressing the range of Vitruvius' style, the translation, along with the critical commentary and illustrations, aims to shape a new image of the Vitruvius who emerges as an inventive and creative thinker, rather than the normative summarizer, as he was characterized in the Middle Ages and Renaissance.
Publisher: Cambridge University Press
In about 25 B.C. the Roman architect Marcus Vitruvius Pollio presented to the emperor Augustus ten scrolls that contained everything he knew about architecture. Synthesizing his studies of earlier Greek writings as well as lessons drawn from his own design career, the Ten Books on Architecture discussed architectural practice and education; building materials; the correct proportions and elements of the Ionic, Doric, and Corinthian; the design of temples, public buildings, and private houses; and engineering and military planning. More than two thousand years later his masterwork stands as both the most comprehensive architectural text of antiquity and one of the most important design treatises ever written. Just as Vitruvius set out to catalog the rules and ideals of ancient Greek architecture, Thomas Gordon Smith in Vitruvius on Architecture presents the rules and ideals of Vitruvius himself. This volume contains the five books most relevant to contemporary architecture along with a wealth of visual material: photographs of ancient structures from Greece, Italy, and Turkey; related sculptures, frescoes, and reliefs; hypothetical re-creations of Vitruvius's now-lost illustrations; and a series of exquisitely rendered watercolor plates based on his descriptions. Vitruvius on Architecture is an exceptional accomplishment: a study as relevant to the present as Vitruvius's was to his own day and to architecture since.
Author: Vitruvius Pollio,Thomas Gordon Smith
Publisher: The Monacelli Press
De Re Aedificatoria, by Leon Battista Alberti (1404-1472), was the first modern treatise on the theory and practice of architecture. Its importance for the subsequent history of architecture is incalculable, yet this is the first English translation based on the original, exceptionally eloquent Latin text on which Alberti's reputation as a theorist is founded.
Author: Leon Battista Alberti,Joseph Rykwert
Publisher: MIT Press
"This Dover edition, first published in 2010, is an unabridged republication of The Regular Architect: or the General Rule of the Five Orders of Architecture, printed for William Sherwin, London, in 1669."
Author: Giacomo Barozzi da Vignola,John Leeke,David Watkin
Publisher: Courier Corporation
Exemplary reprint of 16th-century classic. Covers classical architectural remains, Renaissance revivals, classical orders, more. 216 plates. ". . . the most influential book published in the history of architecture." — Art in America.
Author: Andrea Palladio
Publisher: Courier Corporation
A practicing architect discusses the theoretical background of modern architecture
Author: Robert Venturi
Publisher: The Museum of Modern Art
One of history's most published architectural treatises, this Renaissance volume identifies the five orders — Tuscan, Doric, Ionic, Corinthian, and Composite — and illustrates them in full-page elevational detail.
Author: Giacomo Barozzi da Vignola
Publisher: Courier Corporation
The revered architectural reference, updated with contemporary examples and interactive 3D models The Interactive Resource Center is an online learning environment where instructors and students can access the tools they need to make efficient use of their time, while reinforcing and assessing their understanding of key concepts for successful understanding of the course. An access card with redemption code for the online Interactive Resource Center is included with all new, print copies or can be purchased separately. (***If you rent or purchase a used book with an access code, the access code may have been redeemed previously and you may have to purchase a new access code -ISBN: 9781118986837). The online Interactive Resource Center contains resources tied to the book, such as: Interactive Animations highlighting key concepts Photo Gallery of architectural precedents illustrated in the book Flashcards for focused learning Architecture: Form, Space, and Order, Fourth Edition is the classic introduction to the basic vocabulary of architectural design, updated with new information on emerging trends and recent developments. This bestselling visual reference helps both students and professionals understand the vocabulary of architectural design by examining how space and form are ordered in the environment. Essential and timeless, the fundamental elements of space and form still present a challenge to those who crave a deeper understanding. Taking a critical look at the evolution of spaces, Architecture distills complex concepts of design into a clear focus that inspires, bringing difficult abstractions to life. The book is illustrated throughout to demonstrate the concepts presented, and show the relationships between fundamental elements of architecture through the ages and across cultures. Topics include: Primary elements and the principles of space design Form and space, including light, view, openings, and enclosures Organization of space, and the elements and relationships of circulation Proportion and scale, including proportioning systems and anthropometry
Form, Space, and Order
Author: Francis D. K. Ching
Publisher: John Wiley & Sons
A historical study of Vitruvius's De architectura, showing that his purpose in writing "the whole body of architecture" was shaped by the imperial Roman project of world domination. Vitruvius's De architectura is the only major work on architecture to survive from classical antiquity, and until the eighteenth century it was the text to which all other architectural treatises referred. While European classicists have focused on the factual truth of the text itself, English-speaking architects and architectural theorists have viewed it as a timeless source of valuable metaphors. Departing from both perspectives, Indra Kagis McEwen examines the work's meaning and significance in its own time. Vitruvius dedicated De architectura to his patron Augustus Caesar, the first Roman emperor, whose rise to power inspired its composition near the end of the first century B.C. McEwen argues that the imperial project of world dominion shaped Vitruvius's purpose in writing what he calls "the whole body of architecture." Specifically, Vitruvius's aim was to present his discipline as the means for making the emperor's body congruent with the imagined body of the world he would rule. Each of the book's four chapters treats a different Vitruvian "body." Chapter 1, "The Angelic Body," deals with the book as a book, in terms of contemporary events and thought, particularly Stoicism and Stoic theories of language. Chapter 2, "The Herculean Body," addresses the book's and its author's relation to Augustus, whose double Vitruvius means the architect to be. Chapter 3, "The Body Beautiful," discusses the relation of proportion and geometry to architectural beauty and the role of beauty in forging the new world order. Finally, Chapter 4, "The Body of the King," explores the nature and unprecedented extent of Augustan building programs. Included is an examination of the famous statue of Augustus from Prima Porta, sculpted soon after the appearance of De architectura.
Writing the Body of Architecture
Author: Indra Kagis McEwen
Publisher: MIT Press
Gibbs's legendary 1728 folio includes perspectives and blueprints for such magnificent commissions as London's St. Martin in the Fields; the Senate House of the University of Cambridge; plus fine drawings of marble cisterns, iron gates, funeral monuments, and more.
An Eighteenth-Century Classic
Author: James Gibbs
Publisher: Courier Corporation
Contains over four hundred color photographs that chronicle the history of architecture around the world from ancient times through the twentieth century, and includes an introductory essay that looks at the nature and styles of the art form.
A Visual History
Author: James Neal
Publisher: Sterling Publishing Company, Inc.
The Ten Books On Architecture By Vitruvius Pollio Translated by Morris Hicky Morgan With Illustrations and Original Designs prepared under the Direction of Herbert Langford Warren And Nelson Robinson De architectura (English: On architecture, published as Ten Books on Architecture) is a treatise on architecture written by the Roman architect Marcus Vitruvius Pollio and dedicated to his patron, the emperor Caesar Augustus, as a guide for building projects. The work is one of the most important sources of modern knowledge of Roman building methods, as well as the planning and design of structures, both large (aqueducts, buildings, baths, harbours) and small (machines, measuring devices, instruments). It is also the prime source of the famous story of Archimedes and his bath-time discovery. Vitruvius' work is one of many examples of Latin texts that owe their survival to the palace scriptorium of Charlemagne in the early 9th century. (This activity of finding and recopying classical manuscripts is part of what is called the Carolingian Renaissance.) Many of the surviving manuscripts of Vitruvius' work derive from an existing manuscript that was written there, British Library manuscript Harley 2767. These texts were not just copied, but also known at the court of Charlemagne, since his historian, the bishop Einhard, asked for explanations of some technical terms at the visiting English churchman Alcuin. In addition, a number of individuals are known to have read the text or have been indirectly influenced by it, including: Vussin, Hrabanus Maurus, Hermann of Reichenau, Hugo of St. Victor, Gervase of Melkey, William of Malmesbury, Theoderich of St. Trond, Petrus Diaconus, Albertus Magnus, Filippo Villani, Jean de Montreuil, Petrarch, Boccaccio, Giovanni de Dondi, Domenico di Bandino, Niccolo Acciaioli bequeathed copy to the Basilica of San Lorenzo, Florence, Bernward of Hildesheim, and St. Thomas Aquinas. In 1244 the Dominican friar Vincent of Beauvais made a large number of references to De architectura in his compendium of all the knowledge of the Middle Ages "Speculum maius".
Author: Vitruvius Pollio
Publisher: Createspace Independent Publishing Platform