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Raphael

Drawings

Author: Joachim W. Jacoby,Martin Sonnabend

Publisher: Hirmer Verlag GmbH

ISBN: 9783777458113

Category: Art

Page: 260

View: 1847

"Raphael's influence on western art is unique. He is a defining artist of the modern age, together with Leonardo da Vinci, Michelangelo and Dürer. This book, published to coincide with an exhibition of a selection of his drawings at the Städel Museum in Frankfurt, includes extensive documentation and outstanding reproductions. Raphael (1483-1520) was one of the protagonists of the Italian Renaissance. His Vatican frescos and, above all, his paintings of the Virgin Mary defined entire epochs of European art history, not only as an inspiration but also as undisputed ideals. The collection of drawings by Raphael in the Städel Museum is unique in Germany. Together with exquisite loans from other museums that add to our insight into the artist's ingenious and technically versatile oeuvre, they make up the Frankfurt exhibition. Cooperation with private collections such as those in The Queen's Gallery, London and museums in Paris, Oxford, London, Florence and New York have enabled this sensational combination of world-class works."--Publisher's website.
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Raphael: 83 Drawings

Author: Crichton Alcorn

Publisher: Osmora Incorporated

ISBN: 2765904243

Category: Art

Page: 85

View: 1180

Raffaello Sanzio (or Santi, Raphael in English) was an Italian Renaissance painter, architect and designer. His work along with that of his older contemporaries Leonardo and Michelangelo defined the High Renaissance style in central Italy. He was a popular personality, famous, wealthy, and honoured (Vasari says Pope Leo X, 'who wept bitterly when he died', had intended making him a cardinal), and his influence was widely spread even during his own lifetime through the engravings of Marcantonio Raimondi. His posthumous reputation was even greater, for until the later 19th century he was regarded by almost all critics as the greatest painter who had ever lived — the artist who expressed the basic doctrines of the Christian Church through figures that have a physical beauty worthy of the antique. He became the ideal of all academies (it was against his authority that the Pre-Raphaelites revolted), and today we approach him through a long tradition in which Raphaelesque forms and motifs have been used with a steady diminution of their values. He has been a major inspiration to great classical painters such as Annibale Carracci, Poussin, and Ingres. Raphael was one of the finest masters of drawing in the history of art. The completing of a huge number of studies in a diversity of techniques was Raphael's typical practice. He first made rapid sketches, and then polished them for transfer. The number of his existing drawings is over 400, but this is only a small part of the amount he produced. There was a diversity of media and techniques in his time, and he explored all of them. Raphael acquired ability in the use of silverpoint, in which the metal tip of a stylus is worked on a prepared ground applied to the paper. He first used pen and ink broadly after 1505.
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Raphael

The Drawing

Author: Catherine Whistler

Publisher: N.A

ISBN: 9781910807156

Category:

Page: 256

View: 9920

-This book will accompany a 'once in a generation' show, the like of which has not been seen for over thirty years The Ashmolean Museum and the Albertina are collaborating on a two-part exhibition project that will examine anew the role and the significance of drawing in Raphael's career. The Ashmolean holds the greatest collection of Raphael drawings in the world, and the Albertina is the custodian of a major collection including some of the most beautiful and important of the artist's sketches. Taken together, the two collections provide extraordinary resources that, amplified by carefully-selected international loans, will allow us to transform our understanding of the art of Raphael. The Oxford exhibition is based on new research by Dr Catherine Whistler of the Ashmolean Museum and Dr Ben Thomas from the University of Kent, in collaboration with Dr Achim Gnann of the Albertina. It will take Raphael's art of drawing as its focus, with the concept of eloquence as its underlying structure. Oratory runs as a linking thread in Raphael's drawings, which stand out for the importance given to the study of gestures, facial expressions, and drapery. Moreover, Raphael treated the expressive figure of the orator - poet, philosopher, muse, apostle, saint or sibyl - in fascinating and significant ways throughout his life. This selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art. This book preludes a major exhibition, which will run from June to September 2017, with a range of events happening throughout this time.
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Raphael: Drawings Colour Plates

Author: Maria Peitcheva

Publisher: Maria Peitcheva

ISBN: 6050441073

Category: Art

Page: N.A

View: 5314

Raffaello Sanzio (Santi, Raphael) was an Italian Renaissance painter, architect and designer. His work along with that of his older contemporaries Leonardo and Michelangelo defined the High Renaissance style in central Italy. He was a popular personality, famous, wealthy, and honored. His posthumous reputation was even greater, for until the later 19th century he was regarded by almost all critics as the greatest painter who had ever lived — the artist who expressed the basic doctrines of the Christian Church through figures that have a physical beauty worthy of the antique. He became the ideal of all academies (it was against his authority that the Pre-Raphaelites revolted), and today we approach him through a long tradition in which Raphaelesque forms and motifs have been used with a steady diminution of their values. He has been a major inspiration to great classical painters such as Annibale Carracci, Poussin, and Ingres
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Raphael

Drawings in Budapest

Author: Zoltán Kárpáti,Eszter Seres,Szépművészeti muzeum (Budapest).

Publisher: N.A

ISBN: 9786155304200

Category: Drawing

Page: 151

View: 6578

The Museum of Fine Arts, Budapest, preserves six drawings by Raphael. Ever since the nineteenth century, they have been widely discussed and included in every significant modern œuvre catalogue and most monographs on the artist. Like the majority of Raphael’s sheets, these drawings have also given rise to a large amount of debate. Among the subjects under constant discussion are the authorship of the early pen drawing for the painter’s first Perugian altarpiece, the Coronation of the Virgin, the compositional study for The Massacre of the Innocents, engraved by Marcantonio Raimondi, and the Angel Head associated with the fresco decoration of the Sala di Costantino in the Vatican Palace. The present exhibition, drawn entirely from our collection, focuses on drawings by Raphael, and endeavours to shed further light on his artistic legacy by including drawings by his most talented assistants, as well as some outstanding prints from the period. As part of the preparations of the exhibition a research project was carried out by András Fáy, chief conservator of the Museum of the Fine Arts, Budapest, on Raphael’s drawings as well as the Esterházy Madonna. Ultraviolet and infrared imaging provided information on the materials of the drawings and their condition, the results of which have contributed to the studies in this volume. 0Exhibition: Museum of Fine Arts, Budapest, Hungary (18.12.2013-30.03.2014).
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Michelangelo and Raphael Drawings

Author: Catherine Whistler

Publisher: N.A

ISBN: 9780714880792

Category: Drawing, Italian

Page: 80

View: 8153

Raphael and Michelangelo were both superb draughtsmen, whose drawings were sought after by other artists and by collectors in their own time. Trained in the Quattrocento workshop tradition of skilful control in drawing, and inspired by the innovations of Leonardo da Vinci, Michelangelo and Raphael each brought technical mastery to new heights and in so doing transformed the status of drawing itself. In this handbook the technique and purpose of a variety of drawings by both artists are scrutinised in an attempt to examine the attitude to drawing and the working methods of these temperamentally opposed masters. The drawings selected are all in the Ashmolean Museum, Oxford, which has one of the finest groups of Raphael drawings in the world and an important collection of drawings by Michelangelo.
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Raphael to Renoir

Drawings from the Collection of Jean Bonna

Author: Stijn Alsteens,Metropolitan Museum of Art (New York, N.Y.),National Gallery of Scotland

Publisher: Metropolitan Museum of Art

ISBN: 1588393070

Category: Drawing

Page: 303

View: 3883

"The works from the Bonna Collection are illustrated in color, and whenever possible, at their actual sizes. They are arranged chronologically by the artist's date of birth and are grouped according to the main artistic schools. This volume is introduced by an interview with Jean Bonna by George Goldner. Each drawing is then described in an entry, many of which have comparative illustrations that shed further light on individual works."--BOOK JACKET.
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Drawings by Raphael

From the Royal Library, the Ashmolean, the British Museum, Chatsworth, and Other English Collections

Author: John A. Gere,Nicholas Turner

Publisher: British Museum Press

ISBN: N.A

Category: Art

Page: 253

View: 8318

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Master Drawings of the Italian Renaissance

Author: Claire Van Cleave

Publisher: Harvard University Press

ISBN: 9780674026773

Category: Art

Page: 192

View: 7608

"Beginning with an examination of drawing as part of the creative process, and showing how it reveals the artist's mind at work, the author explains in detail the materials and techniques used in Renaissance drawings. It also considers how drawings were used, how they changed stylistically through the period and how they varied in different regions of Italy. It concludes with a brief look at connoisseurship and collecting."--Amazon.
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Raphael and His Age

Drawings from the Palais Des Beaux-arts, Lille

Author: Paul Joannides,Raphael,Musée des Beaux-Arts (Lille),Palais des beaux-arts (Brussels, Belgium),Cleveland Museum of Art,Lille (France). Musée des beaux-arts

Publisher: Reunion Des Musees Nationaux

ISBN: N.A

Category: Art

Page: 206

View: 1185

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European Drawings 3

Catalogue of the Collections

Author: Nicholas Turner,Lee Hendrix,Carol Plazzotta

Publisher: Getty Publications

ISBN: 0892364807

Category: Art

Page: 344

View: 6870

V. 3 betr. u. a. Hans Jakob Plepp.
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Raphael and His Circle

Drawings from Windsor Castle

Author: Martin Clayton,Raphael,Windsor Castle. Royal Library,Queen's Gallery (London, England)

Publisher: Merrell Pub Limited

ISBN: 9781858940762

Category: Art

Page: 224

View: 7836

Provides an intimate view into the creative processes of one of history's greatest artists.
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Poems, Parables and Drawings

Author: Kahlil Gibran,Alice Raphael

Publisher: Courier Corporation

ISBN: 0486122212

Category: Religion

Page: 192

View: 9350

Elegant but inexpensive, this clothbound volume includes complete texts and drawings of The Madman and The Forerunner, plus 20 additional illustrations and a perceptive essay by art historian Alice Raphael.
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Italian Renaissance Drawings

From the Musee Du Louvre, Paris : Roman, Tuscan, and Emilian Schools, 1500-1575

Author: Roseline Bacou,Metropolitan Museum of Art (New York, N.Y.),Françoise Viatte

Publisher: Metropolitan Museum of Art

ISBN: 0870990942

Category: Drawing, Italian

Page: 158

View: 6291