Motown

The Sound of Young America

Author: Adam White,Barney Ales,Andrew Loog Oldham

Publisher: N.A

ISBN: 9780500518298

Category: Antiques & Collectibles

Page: 400

View: 6343

"Motown: The Sound of Young America is the definitive, visual history of the Detroit-based independent record company which became a style unto itself, a prolific and hugely successful production line of suave, sassy and sophisticated music through the sixties, seventies and eighties. Featuring extensive, specially commissioned photography of treasures gathered from the archives, this landmark publication also captures the graphic and design iconography that underpinned Motown's extraordinary creativity. Packed with fresh insights gleaned from scores of interviews with key players, this exceptional and revealing book delves into the workings of the Motown machine and details how a dedicated team of backroom believers, white and black, turned a small family business into a popular music powerhouse. This was the home of Stevie Wonder, Smokey Robinson & the Miracles, Diana Ross & the Supremes, Marvin Gaye, the Jackson 5, the Temptations and many more. Motown: The Sound of Young America is a spectacular labour of love befitting an incredible story"--Dust jacket.

Motown

The Golden Years

Author: Bill Dahl

Publisher: Krause Publications

ISBN: 9780873492867

Category: Antiques & Collectibles

Page: 349

View: 600

Details the careers of legends such as Marvin Gaye, Diana Ross, Stevie Wonder, The Jackson 5, and The Temptations. Features an A-to-Z listing and biography of nearly every Motown group since Motown's beginning in 1959.

Dancing in the Street

Motown and the Cultural Politics of Detroit

Author: Suzanne E Smith

Publisher: Harvard University Press

ISBN: 9780674043831

Category: Music

Page: 336

View: 4614

Detroit in the 1960s was a city with a pulse: people were marching in step with Martin Luther King, Jr., dancing in the street with Martha and the Vandellas, and facing off with city police. Through it all, Motown provided the beat. This book tells the story of Motown--as both musical style and entrepreneurial phenomenon--and of its intrinsic relationship to the politics and culture of Motor Town, USA. As Suzanne Smith traces the evolution of Motown from a small record company firmly rooted in Detroit's black community to an international music industry giant, she gives us a clear look at cultural politics at the grassroots level. Here we see Motown's music not as the mere soundtrack for its historical moment but as an active agent in the politics of the time. In this story, Motown Records had a distinct role to play in the city's black community as that community articulated and promoted its own social, cultural, and political agendas. Smith shows how these local agendas, which reflected the unique concerns of African Americans living in the urban North, both responded to and reconfigured the national civil rights campaign. Against a background of events on the national scene--featuring Martin Luther King, Jr., Langston Hughes, Nat King Cole, and Malcolm X--"Dancing in the Street" presents a vivid picture of the civil rights movement in Detroit, with Motown at its heart. This is a lively and vital history. It's peopled with a host of major and minor figures in black politics, culture, and the arts, and full of the passions of a momentous era. It offers a critical new perspective on the role of popular culture in the process of political change.

A House on Fire

The Rise and Fall of Philadelphia Soul

Author: John A. Jackson

Publisher: Oxford University Press

ISBN: 0190287659

Category: Social Science

Page: 368

View: 3209

"If You Don't Know Me By Now," "The Love I Lost," "The Soul Train Theme," "Then Came You," "Ain't No Stoppin' Us Now"--the distinctive music that became known as Philly Soul dominated the pop music charts in the 1970s. In A House on Fire, John A. Jackson takes us inside the musical empire created by Kenny Gamble, Leon Huff, and Thom Bell, the three men who put Philadelphia Soul on the map. Here is the eye-opening story of three of the most influential and successful music producers of the seventies. Jackson shows how Gamble, Huff, and Bell developed a black recording empire second only to Berry Gordy's Motown, pumping out a string of chart-toppers from Harold Melvin & the Blue Notes, the Spinners, the O'Jays, the Stylistics, and many others. The author underscores the endemic racism of the music business at that time, revealing how the three men were blocked from the major record companies and outlets in Philadelphia because they were black, forcing them to create their own label, sign their own artists, and create their own sound. The sound they created--a sophisticated and glossy form of rhythm and blues, characterized by crisp, melodious harmonies backed by lush, string-laden orchestration and a hard-driving rhythm section--was a glorious success, producing at least twenty-eight gold or platinum albums and thirty-one gold or platinum singles. But after their meteoric rise and years of unstoppable success, their production company finally failed, brought down by payola, competition, a tough economy, and changing popular tastes. Funky, groovy, soulful--Philly Soul was the classic seventies sound. A House on Fire tells the inside story of this remarkable musical phenomenon.

Once in a Great City

A Detroit Story

Author: David Maraniss

Publisher: Simon and Schuster

ISBN: 1476748403

Category: History

Page: 464

View: 9811

“A fascinating political, racial, economic, and cultural tapestry” (Detroit Free Press), a tour de force from David Maraniss about the quintessential American city at the top of its game: Detroit in 1963. Detroit in 1963 is on top of the world. The city’s leaders are among the most visionary in America: Grandson of the first Ford; Henry Ford II; Motown’s founder Berry Gordy; the Reverend C.L. Franklin and his daughter, the incredible Aretha; Governor George Romney, Mormon and Civil Rights advocate; car salesman Lee Iacocca; Police Commissioner George Edwards; Martin Luther King. The time was full of promise. The auto industry was selling more cars than ever before. Yet the shadows of collapse were evident even then. “Elegiac and richly detailed” (The New York Times), in Once in a Great City David Maraniss shows that before the devastating riot, before the decades of civic corruption and neglect, and white flight; before people trotted out the grab bag of rust belt infirmities and competition from abroad to explain Detroit’s collapse, one could see the signs of a city’s ruin. Detroit at its peak was threatened by its own design. It was being abandoned by the new world economy and by the transfer of American prosperity to the information and service industries. In 1963, as Maraniss captures it with power and affection, Detroit summed up America’s path to prosperity and jazz that was already past history. “Maraniss has written a book about the fall of Detroit, and done it, ingeniously, by writing about Detroit at its height….An encyclopedic account of Detroit in the early sixties, a kind of hymn to what really was a great city” (The New Yorker).

Motown

Music, Money, Sex, and Power

Author: Gerald Posner

Publisher: Random House

ISBN: 9780307538628

Category: Music

Page: 384

View: 4304

In 1959, twenty-nine-year-old Berry Gordy, who had already given up on his dream to be a champion boxer, borrowed eight hundred dollars from his family and started a record company. A run-down bungalow sandwiched between a funeral home and a beauty shop in a poor Detroit neighborhood served as his headquarters. The building’s entrance was adorned with a large sign that improbably boasted “Hitsville U.S.A.” The kitchen served as the control room, the garage became the two-track studio, the living room was reserved for bookkeeping, and sales were handled in the dining room. Soon word spread that any youngster with a streak of talent should visit the only record label that Detroit had seen in years. The company’s name was Motown. Motown cuts through decades of unsubstantiated rumors and speculation to tell the true behind-the-scenes narrative of America’s most exciting musical dynasty. It follows the company and its amazing roster of stars from the tumultuous growth years in Detroit, to the drama and intrigue of Hollywood in the 1970s, to resurgence in 2002. Set against the civil rights movement, the decay of America’s northern industrial cities, and the social upheaval of the 1960s, Motown is a tale of the incredible entrepreneurship of Berry Gordy. But it also features the moving stories of kids from Detroit’s inner-city projects who achieved remarkable success and then, in many cases, found themselves fighting the demons that so often come with stardom—drugs, jealousy, sexual indulgence, greed, and uncontrollable ambition. Motown features an extraordinary cast of characters, including Diana Ross, Michael Jackson, Marvin Gaye, Smokey Robinson, and Stevie Wonder. They are presented as they lived and worked: a clan of friends, lovers, competitors, and sometimes vicious foes. Motown reveals how the hopes and dreams of each affected the lives of the others and illustrates why this singular story is a made-in-America Greek tragedy, the rise and fall of a supremely talented yet completely dysfunctional extended family. Based on numerous original interviews and extensive documentation, Motown benefits particularly from the thousands of pages of files crammed into the basement of downtown Detroit’s Wayne County Courthouse. Those court records provide the unofficial—and hitherto largely untold—history of Motown and its stars, since almost every relationship between departing singers, songwriters, producers, and the label ended up in litigation. From its peaks in the late 1960s and early 1970s, when Motown controlled the pop charts and its stars were sought after even by the Beatles, through the inexorable slide caused by their failure to handle their stardom, Motown is a riveting and troubling look inside a music label that provided the unofficial soundtrack to an entire generation. From the Hardcover edition.

Rhythm Ride

A Road Trip Through the Motown Sound

Author: Andrea Davis Pinkney

Publisher: Macmillan

ISBN: 1596439734

Category: Juvenile Nonfiction

Page: 166

View: 2773

"A narrative history of the Motown music label covering the historical context, personalities, and ongoing legacy of the "sound of young America.""--

Before Motown

A History of Jazz in Detroit, 1920-60

Author: Lars Bjorn,Jim Gallert

Publisher: University of Michigan Press

ISBN: 9780472067657

Category: Music

Page: 239

View: 7833

Provides a history of jazz music and documents the careers of a variety of jazz musicians in Detroit from 1920 to 1960.

Verve

The Sound of America

Author: Richard Havers,Herbie Hancock

Publisher: N.A

ISBN: 9780500517475

Category: Antiques & Collectibles

Page: 400

View: 5078

"From the label that signed America's jazz legends in the '50s and '60s, a look at the music, its stars and its continuing influence." —People

Where Did Our Love Go?

The Rise & Fall of the Motown Sound

Author: Nelson George

Publisher: Omnibus Press

ISBN: 9780711995116

Category: Music

Page: 280

View: 5696

Where Did Our Love Go? is the acclaimed best selling story of Tamla Motown Records, the Detroit hit factory that set the world dancing in the Sixties.

Calling Out Around the World

A Motown Reader

Author: Kingsley Abbott

Publisher: Helter Skelter Publishing

ISBN: N.A

Category: Music

Page: 256

View: 7239

The editor o the acclaimed Back To The Beach gathers together the best writing on Motown in a collection spanning four decades. From profiles of key artists like Diana Ross, Smokey Robinson, and Marvin Gaye to analyses of Motown's hit factory songwriting partnerships and the sociological impact of the label on Sixties' America. Contributors include top critics like Dave March, Richard Williams and John Rockwell.

Motown Encyclopedia

Author: Graham Betts

Publisher: AC Publishing

ISBN: 1311441549

Category: Music

Page: 811

View: 4670

Motown means different things to different people. The mere mention of perhaps the most iconic record label in history is often enough to invoke memories and mental images of Marvin Gaye, Diana Ross, Stevie Wonder, The Temptations, The Jackson 5, The Supremes and numerous others. With each group recalled, there is an accompanying piece of music of the mind, from Baby Love, My Girl, Signed Sealed Delivered, I Heard It Through The Grapevine, ABC and Tears Of A Clown and countless more. Quite often, you can ask people what kind of music they like and they will simply answer ‘Motown’, and both they, and you, know exactly what is meant. Or rather, what is implied. The Motown they are invariably thinking of is the label that dominated the charts in the mid 1960s with a succession of radio friendly, dance orientated hits, most of which were written and produced by the trio of Brian Holland, Lamont Dozier and Eddie Holland. This period is referred to, naturally enough, as the Golden Era, when Motown was not only the dominant force in its home city of Detroit but carried The Sound of Young America all around the world. The kind of music that had them Dancing In the Street from Los Angeles to London, Miami to Munich and San Francisco to Sydney. It was the kind of music that attracted scores of imitators; some good, some not so good. The kind of music that appealed to the public and presidents alike, and still does. It was that Motown that this book was intended to be about. However, when you start digging deeper into the Motown story, you realise that throughout its life (which, for the purposes of this book, is its formation in 1959 through to its sale in 1988) it was constantly trying other musical genres, looking to grab hits out of jazz, country, pop, rock, middle of the road and whatever else might be happening at the time. Of course it wasn’t particularly successful at some of the other genres, although those who claim Motown never did much in the rock market conveniently overlook the healthy sales figures achieved by Rare Earth, the group, and focus instead on the total sales achieved on Rare Earth, the label. This book, therefore, contains biographies of all 684 artists who had releases on Motown and their various imprints, as well as biographies of 16 musicians, 23 producers, 19 writers and 13 executives. There are also details of the 50 or so labels that Motown owned, licensed to or licensed from. All nine films and the 17 soundtracks are also featured. Every Motown single and album and EP that made the Top Ten of the pop charts in either the US or UK also have their own entries, with 222 singles, 84 albums and five EPs being featured. Finally, there are 36 other entries, covering such topics as the Hollywood Walk of Fame, the Motortown Revues, Grammy Awards and the most played Motown songs on radio. The 1,178 entries cover every aspect of Motown and more – of the link between Granny in The Beverly Hillbillies and Wonder Woman, of the artists from Abbey Tavern Singers to Zulema, and the hits from ABC to You Really Got A Hold On Me. The Motown Encyclopedia is the story of Motown Records; Yesterday, Today, Forever.

Signed, Sealed, and Delivered

The Soulful Journey of Stevie Wonder

Author: Mark Ribowsky

Publisher: John Wiley & Sons

ISBN: 9780470588819

Category: Music

Page: 352

View: 7338

The first definitive biography of music legend Stevie Wonder Stevie Wonder's achievements as a singer-songwriter, multi-instrumentalist, and producer are extraordinary. During a career that has spanned almost fifty years, he has earned more than thirty Top 10 hits, twenty-six Grammy Awards, and a place in both the Rock and Roll and Songwriter Halls of Fame—and he's not finished yet. On the verge of turning sixty, he is still composing, still touring, and still attracting dedicated fans around the world. For the first time, Signed, Sealed, and Delivered takes an in-depth look at Stevie Wonder's life and his evolution from kid-soul pop star into a mature artist whose music helped lay the groundwork for the evolution of hip hop and rap. Explores the life, achievements, and influence of one of America's biggest musical icons, set against the history of Motown and the last fifty years of popular music Based on extensive interviews with Motown producers, music executives, songwriters, and musicians, including founding Temptation Otis Williams, Mickey Stevenson, surviving Funk Brother Eddie Willis, synthesizer genius Malcolm Cecil, guitar legend Michael Sembello, and many others Traces Stevie's personal and musical development through the decades, from the early 1960s R&B of "Fingertips" to the social and political themes of "Living for the City" and other 1970s classics, through periods of musical and personal confusion, uncertainty, and, later, renewal Read Signed, Sealed, and Delivered to explore the life and work of one of pop music's most compelling masters of invention.

Issues in African American Music

Power, Gender, Race, Representation

Author: Portia K. Maultsby,Mellonee V. Burnim

Publisher: Routledge

ISBN: 1315472074

Category: Music

Page: 432

View: 549

Issues in African American Music: Power, Gender, Race, Representation is a collection of twenty-one essays by leading scholars, surveying vital themes in the history of African American music. Bringing together the viewpoints of ethnomusicologists, historians, and performers, these essays cover topics including the music industry, women and gender, and music as resistance, and explore the stories of music creators and their communities. Revised and expanded to reflect the latest scholarship, with six all-new essays, this book both complements the previously published volume African American Music: An Introduction and stands on its own. Each chapter features a discography of recommended listening for further study. From the antebellum period to the present, and from classical music to hip hop, this wide-ranging volume provides a nuanced introduction for students and anyone seeking to understand the history, social context, and cultural impact of African American music.

Respect Yourself

Stax Records and the Soul Explosion

Author: Robert Gordon

Publisher: Bloomsbury Publishing USA

ISBN: 1608194167

Category: History

Page: 480

View: 6082

Traces the rise and fall of the original Stax Records, touching upon the racial politics in Memphis in the 1960s, the personal histories of the sibling founders, and the prominent musicians they featured.

Women of Motown: An Oral History

Second Edition

Author: Susan Whitall

Publisher: BookBaby

ISBN: 1942531273

Category: Music

Page: 174

View: 5876

The second edition of Women of Motown by author Susan Whitall contains new chapters and information, updating this critically-acclaimed oral history of the ladies who made Motown a sound heard round the world. Originally published to glowing reviews in 1998, the first edition has long been out of print and sought after by collectors. Devault-Graves Digital Editions now brings the public a new updated edition that tells the Motown story from its beginnings with Mable John through the great girl groups such as Martha and the Vandellas and ending with the last iteration of the glorious Supremes after Diana Ross left for superstar status. Author Susan Whitall, an esteemed music writer who is a native of Detroit, expertly interviewed virtually all the women who made Motown explode on the hit charts and lets them tell their stories in all their humor, dishy detail, and the glory of lives spent recording and singing some of the greatest songs ever written. Fans of Motown will not want to miss this chance for the girls to let their hair down and lay it on the line. The stories are not only fun and exciting, but give a history of a remarkable company that took African American music from Detroit’s housing projects to the White House.

Motown Artist by Artist

Author: Pat Morgan

Publisher: G2 Entertainment

ISBN: 9781782812357

Category: Music

Page: 128

View: 6705

In 1959 Berry Gordy Jr., a high school dropout, former boxer and record store owner, founded the Motown record label in Detroit. The company name, which played on the city's proud tradition of car manufacture, was to become synonymous with great music as Gordy took the sound of black America to the world. Starting with Barrett Strong's Money (That's What I Want), Motown racked up hit after hit, becoming familiar to UK audiences under the name of Tamla Motown and launching the careers of megastars like Diana Ross and The Supremes, The Four Tops, Marvin Gaye, Smokey Robinson, The Temptations and the Jackson 5. The 'Motown Sound' was instantly recognisable and unavoidably infectious. As the decades wore on and musician styles changed, Motown moved with the times, launching a myriad of specialist labels and finding new artists to push the boundaries. After a 2005 merger with Universal, the hits kept coming. Motown Artist by Artist relates the history of one of popular music's longest lasting success stories through the stories of the singers and musicians who made the hits. From Ashford & Simpson to Stevie Wonder, every Motown success story is here.

Soulsville, U.S.A.: The Story of Stax Records

Author: Rob Bowman

Publisher: Omnibus Press

ISBN: 0857124994

Category: Music

Page: 416

View: 9839

Walk the halls of the famous studio that produced hits for Otis Redding, Isaac Hayes, Sam and Dave, and Booker T. and the MGs. Soulsville, U.S.A. provides the first history of the groundbreaking label along with compelling biographies of the promoters, producers, and performers who made and sold the music. Over 45 photos. Winner of the 1998 ASCAP-Deems Taylor Award Winner of the ARSC Award for Best Research in Record Labels