This outstanding collection of hitherto unpublished work, written over the last fifteen years of the author's life, reveals the development and maturation of his ideas about sociology and art, and specifically about the relationship between them. Grafia sees in the artistic traditions of Western society the sociological sources of our sense of cultural form, as well as cultural and intellectual meaning. He discusses theories of art and theories of artists as they have changed over time, although the book is neither a history of art nor a criticism of specific artistic works. Rather, it is a defense of the sociology of art. Grafia believes that the difficult and ambitious questions in the sociology of art are not merely questions of the proper role or status of the artist, or the recognition of art as an ornament, perhaps the supreme ornament, of our culture. He believes that what the sociologist must come to terms with is the view of art as the representation, indeed the revelation of what is most telling and pervasive in culture itself. This perspective assumes that the most serious claims made for art are in fact inseparable from the unique claims that are made about art. Art can make visible what is implicit in our lives. Art can put before us a statement of what we are but do not always recognize in oursleves. Art is the mask and mimicry through which society gestures to us its ultimate and most poignant meanings. Grafia contends that this vision of art derives from Hegelian aesthetics, and he believes that this grand view-whether one takes an idealist, a literary, or a Marxist-materialist position-also implies a dramatically changed conception of society itself. The essays cover a variety of subjects, from Marx, museums, and modern literature, to Durkheim, Daniel Bell, and bullfighting-the last being the apotheosis of cultural expression rendered into artistic form. Throughout, Grafia considers questions of the social origins of our artistic and intellectual traditions, the influence of these traditions on our ways of thinking about society, and their pervasiveness as standards for social meaning.
Further Essays on the Sociology of Art
Author: CÃ©sar GraÃ±a
Publisher: Transaction Publishers
Category: Political science
Category: American literature
Cultural Imperialism and the Indo-English Novel focuses on the novels of R. K. Narayan, Anita Desai, Kamala Markandaya, and Salman Rushdie and explores the tension in these novels between ideology and the generic fictive strategies that shape ideology or are shaped by it. Fawzia Afzal-Khan raises the important question of how much the usage of certain ideological strategies actually helps the ex-colonized writer deal effectively with postcolonial and postindependence trauma and whether or not the choice of a particular genre or mode employed by a writer presupposes the extent to which that writer will be successful in challenging the ideological strategies of "containment" perpetuated by most Western "orientalist" texts and writers. She argues that the formal or generic choices of the four writers studied here reveal that they are using genre as an ideological "strategy of liberation" to help free their peoples and cultures from the hegemonic strategies of "containment" imposed upon them. She concludes that the works studied here constitute an ideological rebuttal of Western writers' denigrating "containment" of non-Western cultures. She also notes that self-criticism, as implied in Rushdie's works, is not be confused with self-hatred, a theme found in Naipaul's work.
Genre and Ideology in R. K. Narayan, Anita Desai, Kamala Markandaya, and Salman Rushdie
Author: Fawzia Afzal-Khan
Publisher: Penn State Press
Category: Literary Criticism
Walter Benjamin beschreibt in dem Aufsatz Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit die geschichtlichen, sozialen und ästhetischen Prozesse, die mit der technischen Reproduzierbarkeit des Kunstwerkes zusammenhängen. In die Reihe der kunstsoziologischen Arbeiten Benjamins gehören auch die beiden hier zum ersten Mal in Buchform veröffentlichten Texte: Kleine Geschichte der Photographie (1931) und Eduard Fuchs, der Sammler und der Historiker (1937). Sie erhärten Benjamins Einsichten am Einzelfall.
Drei Studien zur Kunstsoziologie
Author: Walter Benjamin
Publisher: Suhrkamp Verlag
Publication of the Association of College and Research Libraries, a Division of the American Library Association
Category: Academic libraries
This book examines how African-American writers and visual artists interweave icon and inscription in order to re-present the black female body, traditionally rendered alien and inarticulate within Western discursive and visual systems. Brown considers how the writings of Toni Morrison, Gayl Jones, Paule Marshall, Edwidge Danticat, Jamaica Kincaid, Andrea Lee, Gloria Naylor, and Martha Southgate are bound to such contemporary, postmodern visual artists as Lorna Simpson, Carrie Mae Weems, Kara Walker, Betye Saar, and Faith Ringgold. While the artists and authors rely on radically different media—photos, collage, video, and assembled objects, as opposed to words and rhythm—both sets of intellectual activists insist on the primacy of the black aesthetic. Both assert artistic agency and cultural continuity in the face of the oppression, social transformation, and cultural multiplicity of the late twentieth and early twenty-first centuries. This book examines how African-American performative practices mediate the tension between the ostensibly de-racialized body politic and the hyper-racialized black, female body, reimagining the cultural and political ground that guides various articulations of American national belonging. Brown shows how and why black women writers and artists matter as agents of change, how and why the form and content of their works must be recognized and reconsidered in the increasingly frenzied arena of cultural production and political debate.
Author: Caroline Brown
Category: Literary Criticism
Our interactive world can take a creative product, such as a Hollywood film, Bollywood song, or Latin American telenovela, and transform it into a source of cultural anxiety. What does this artwork say about the artist or the world she works in? How will these artworks evolve in the global market? Film, music, television, and the performing arts enter the same networks of exchange as other industries, and the anxiety they produce informs a fascinating area of study for art, culture, and global politics. Focusing on the confrontation between global politics and symbolic creative expression, J. P. Singh shows how, by integrating themselves into international markets, entertainment industries give rise to far-reaching cultural anxieties and politics. With examples from Hollywood, Bollywood, French grand opera, Latin American television, West African music, postcolonial literature, and even the Thai sex trade, Singh cites not only the attempt to address cultural discomfort but also the effort to deny entertainment acts as cultural. He connects creative expression to clashes between national identities, and he details the effect of cultural policies, such as institutional patronage and economic incentives, on the making and incorporation of art into the global market. Ultimately, Singh shows how these issues affect the debates on cultural trade being waged by the World Trade Organization, UNESCO, and the developing world.
The Entertainment Economy and Cultural Identity
Author: J. P. Singh
Publisher: Columbia University Press
Category: Business & Economics
Facts101 is your complete guide to Philosophy , An Intro to the Art of Wondering. In this book, you will learn topics such as as those in your book plus much more. With key features such as key terms, people and places, Facts101 gives you all the information you need to prepare for your next exam. Our practice tests are specific to the textbook and we have designed tools to make the most of your limited study time.
Author: CTI Reviews
Publisher: Cram101 Textbook Reviews
Author: Bernard Samuel Myers
Publisher: Encyclopedia of World Art
Feast! Throughout human history, and in all parts of the world, feasts have been at the heart of life. The great museums of the world are full of the remains of countless ghostly feasts Â? dishes that once bore rich meats, pitchers used to pour choice wines, tall jars that held beer sipped through long straws of gold and lapis, immense cauldrons from which hundreds of people could be served. Why were feasts so important, and is there more to feasting than abundance and enjoyment? The Never-Ending Feast is a pioneering work that draws on anthropology, archaeology and history to look at the dynamics of feasting among the great societies of antiquity renowned for their magnificence and might. Reflecting new directions in academic study, the focus shifts beyond the medieval and early modern periods in Western Europe, eastwards to Mesopotamia, Assyria and Achaemenid Persia, early Greece, the Mongol Empire, Shang China and Heian Japan. The past speaks through texts and artefacts. We see how feasts were the primary arena for displays of hierarchy, status and power; a stage upon which loyalties and alliances were negotiated; the occasion for the mobilization and distribution of resources, a means of pleasing the gods, and the place where identities were created, consolidated Â? and destroyed. The Never-Ending Feast transforms our understanding of feasting past and present, revitalising the fields of anthropology, archaeology, history, museum studies, material culture and food studies, for all of which it is essential reading.
The Anthropology and Archaeology of Feasting
Author: Kaori O'Connor
Publisher: Bloomsbury Publishing
Category: Social Science
Austria davaj!" ("lets go!" or "come on!") presents a large-scale, representative snapshot of contemporary art, architecture and design from Austria with 17 outstanding artists. Each of them in their fields set decisive impulses, freed from any traditional categorisations. The contributions reflect Austria's creative potential, treat the theme of representation on various levels, and refer to the local conditions of the historical exhibition site.
австрийское искусство сегодня
Author: Martina Kandeler-Fritsch
Publisher: AustrianCulturalForum Moscow
This richly evocative study of photography has two major emphases, that the language of description (be it title, caption, or text) is deeply implicated in how a viewer looks at photographs, and that the use of a photograph determines its meaning.
A Strange Confined Space
Author: Mary Price
Publisher: Stanford University Press
This third, supplemental volume continues the approach of the original two volumes of the Encyclopedia of Catholic Social Thought, Social Science, and Social Policy that were published in 2007. First, the volume includes entries that explore Catholic social thought at its broadest, most theoretical level. Second, the volume includes entries that discuss recent social science research that bears on issues important to Catholic social thought. Third, the volume includes entries discussing specific issues of social policy that have become increasingly important in recent years.
Author: Michael L. Coulter,Richard S. Myers,Joseph A. Varacalli
Publisher: Scarecrow Press
Learn about the kinds of learning tools and experiences that aremost likely to foster a positive and engaged sense of purpose fordiverse groups of youth. This groundbreaking research is among thefirst in recent years to explicitly address the supports of youthpurpose and construct youth purpose interventions. Presenting thecurrent state of the field on instructing for youth purpose,it’s a valuable resource for researchers, teachers, andpolicymakers who are interested in promoting positive youthdevelopment. This is the 132nd volume of New Directions forYouth Development, the Jossey-Bass quarterly report seriesdedicated to bringing together everyone concerned with helpingyoung people, including scholars, practitioners, and people fromdifferent disciplines and professions.
New Directions for Youth Development, Number 132
Author: Jenni Menon Mariano
Publisher: John Wiley & Sons
On any given day nearly half the world's population is wearing blue jeans. This is entirely extraordinary. Yet there has never been a serious attempt to understand the causes, nature and consequences of denim as 'the' global garment of our world. This book takes up that challenge with gusto. It gives clear, if surprising, explanations for why this is the case, challenging the accepted history of jeans and showing why the reasons cannot be commercial. While discussing the consequences of denim at the global level, the book consists of some exemplary studies by anthropologists of what blue jeans mean in a variety of local situations. These range from the discussion of hip-hop jeans in Germany, denim and sex in Milan through to the connection between denim and recycling in the US. But through all these intensively researched ethnographies of local denim we build our understanding of the most curious of all features of blue jeans - the rise of global denim.
Author: Daniel Miller,Sophie Woodward