Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit

Drei Studien zur Kunstsoziologie

Author: Walter Benjamin

Publisher: Suhrkamp Verlag

ISBN: 3518734059

Category: Philosophy

Page: 112

View: 1571

Walter Benjamin beschreibt in dem Aufsatz Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit die geschichtlichen, sozialen und ästhetischen Prozesse, die mit der technischen Reproduzierbarkeit des Kunstwerkes zusammenhängen. In die Reihe der kunstsoziologischen Arbeiten Benjamins gehören auch die beiden hier zum ersten Mal in Buchform veröffentlichten Texte: Kleine Geschichte der Photographie (1931) und Eduard Fuchs, der Sammler und der Historiker (1937). Sie erhärten Benjamins Einsichten am Einzelfall.

The Machines of Leonardo Da Vinci and Franz Reuleaux

Kinematics of Machines from the Renaissance to the 20th Century

Author: Francis C. Moon

Publisher: Springer Science & Business Media

ISBN: 1402055994

Category: Science

Page: 419

View: 2863

This fascinating book will be of as much interest to engineers as to art historians, examining as it does the evolution of machine design methodology from the Renaissance to the Age of Machines in the 19th century. It provides detailed analysis, comparing design concepts of engineers of the 15th century Renaissance and the 19th century age of machines from a workshop tradition to the rational scientific discipline used today.

Leonardo and the Flying Boy

Author: Laurence Anholt

Publisher: Barrons Juveniles

ISBN: 9780764138515

Category: Juvenile Fiction

Page: 32

View: 411

Zoro, pupil to the great Leonardo Da Vinci, finds that his master is building a mysterious flying machine, in a story based on a true event.

Video

das reflexive Medium

Author: Yvonne Spielmann

Publisher: N.A

ISBN: 9783518293393

Category: Art, Modern

Page: 478

View: 954


Unpacking Duchamp

Art in Transit

Author: Dalia Judovitz

Publisher: Univ of California Press

ISBN: 9780520213760

Category: Art

Page: 308

View: 7785

"Transit, transitional, transition: Dalia Judovitz catches Marcel Duchamp on the run with his art in a suitcase and his thought all boxed and ready to go. . . . She demonstrates how the theme of transition, reappearing from work to work, makes each piece reproduce some other piece, while all continue to exemplify an original which can no longer be found and which has no creator."--Jean-François Lyotard

Leonardo Da Vinci

1452-1519: Artist and Scientist

Author: TASCHEN,Frank Zllner

Publisher: Taschen

ISBN: 9783836502153

Category:

Page: 96

View: 2273

Renaissance Man: The unstoppable curiosity and invention of the da Vinci genius Filling notebook after notebook with sketches, inventions, and theories, Leonardo Da Vinci (1452-1519) not only stands as one of the most exceptional draftsmen of art history, but also as a mastermind and innovator who anticipated some of the greatest discoveries of human progress, sometimes centuries before their material realisation. From the smallest arteries in the human heart to the far-flung constellations of the universe, Leonardo saw nature and science as being unequivocally connected. His points of enquiry and invention spanned philosophy, anatomy, geology, and mathematics, from the laws of optics, gravitation, heat and light to the building of a flying machine. In his painting, Leonardo steered art out of the Middle Ages with works such as The Last Supper and the world-famous La Gioconda or Mona Lisa depicting not only physical appearances, but a compelling psychological intrigue and depth which continues to draw crowds of mesmerized visitors to masterpieces in Paris, Milan, Washington, London, and Rome. This book collates some of Leonardo's most outstanding work to introduce a figure of infinite curiosity, feverish imagination and sublime artistic ability, often described as having "not enough worlds for to conquer, and not enough lives for to live" (Alan Woods). About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

When the Machine Made Art

The Troubled History of Computer Art

Author: Grant D. Taylor

Publisher: Bloomsbury Publishing USA

ISBN: 1623562724

Category: Social Science

Page: 352

View: 3070

Considering how culturally indispensable digital technology is today, it is ironic that computer-generated art was attacked when it burst onto the scene in the early 1960s. In fact, no other twentieth-century art form has elicited such a negative and hostile response. When the Machine Made Art examines the cultural and critical response to computer art, or what we refer to today as digital art. Tracing the heated debates between art and science, the societal anxiety over nascent computer technology, and the myths and philosophies surrounding digital computation, Taylor is able to identify the destabilizing forces that shape and eventually fragment the computer art movement.

Picturing Machines 1400-1700

Author: Jed Z. Buchwald

Publisher: MIT Press

ISBN: 9780262122696

Category: Technology & Engineering

Page: 347

View: 777

How technical drawings shaped early engineering practice. Technical drawings by the architects and engineers of the Renaissance made use of a range of new methods of graphic representation. These drawings--among them Leonardo da Vinci's famous drawings of mechanical devices--have long been studied for their aesthetic qualities and technological ingenuity, but their significance for the architects and engineers themselves is seldom considered. The essays in Picturing Machines 1400-1700 take this alternate perspective and look at how drawing shaped the practice of early modern engineering. They do so through detailed investigations of specific images, looking at over 100 that range from sketches to perspective views to thoroughly constructed projections. In early modern engineering practice, drawings were not merely visualizations of ideas but acted as models that shaped ideas. Picturing Machines establishes basic categories for the origins, purposes, functions, and contexts of early modern engineering illustrations, then treats a series of topics that not only focus on the way drawings became an indispensable means of engineering but also reflect the main stages in their historical development. The authors examine the social interaction conveyed by early machine images and their function as communication between practitioners; the knowledge either conveyed or presupposed by technical drawings, as seen in those of Giorgio Martini and Leonardo; drawings that required familiarity with geometry or geometric optics, including the development of architectural plans; and technical illustrations that bridged the gap between practical and theoretical mechanics.

A Bolt from the Blue

Author: Diane A. S. Stuckart

Publisher: Penguin

ISBN: 1101171200

Category: Fiction

Page: 336

View: 2846

Third in the intriguing Leonardo da Vinci mystery series known for "capturing the essence of 15th-century Milan". As court engineer to the Duke of Milan, Leonardo da Vinci turns his superior mind to many pursuits- from outlandish contraptions to the odd murder... With war looming ever closer, the iron-fisted Duke of Milan calls upon Master da Vinci to invent the deadliest weapon ever-a flying machine. So da Vinci calls in a craftsman who happens to be father to his star apprentice, Dino. But da Vinci does not know that Dino is actually the craftsman's daughter, Delfina, who keeps her gender a secret to serve as apprentice. But as Delfina worries that her father will prove her undoing, someone murders another apprentice. Now, as her master works his brilliance, Delfina can only pray that no other apprentice- including herself-will fall victim

Leonardo da Vinci’s Giant Crossbow

Author: Matt Landrus

Publisher: Springer Science & Business Media

ISBN: 9783540689188

Category: Technology & Engineering

Page: 180

View: 6162

Although Leonardo’s Giant Crossbow is one of his most popular drawings, it has been one of the least understood. "Leonardo’s Giant Crossbow" offers the first in-depth account of this drawing’s likely purpose and its highly resolved design. This fascinating book has a wealth of technical information about the Giant Crossbow drawing, as it’s a complete study of this project, though this is as accessible to the general audience as much as it is also informative with new discoveries for the professors of engineering, technology and art. The book explores the context of Leonardo’s invention with an examination of the extensive documentary evidence, a short history of the great crossbow and ballista, the first accurate translation of the text and the technical specifications, and a detailed analysis of Leonardo’s design process for the crossbow, from start to finish. Dozens of preparatory drawings, along with the recent discovery of nearly invisible metal stylus preparatory incisions under the ink of the Giant Crossbow drawing, are evidence of Leonardo’s intent to offer engineers and other viewers a thorough design of the massive machine. The book proposes these new discoveries with the help of a strategy that had been at the core of Leonardo’s working philosophy: the proportional method. As proven with an analysis of the Giant Crossbow project, he used a consistent approach to 1/3rd proportions throughout the design and drawing process and employed this kind of proportional strategy at the start of almost every important project. Thanks to this proof of his knowledge of geometry, evidence of his studies of impetus and force, and thanks to the highly polished and complex nature of the Giant Crossbow design, a later date for the drawing is proposed in the present book, associating the drawing with his drafting capabilities around 1490-93.

Instruments in Art and Science

On the Architectonics of Cultural Boundaries in the 17th Century

Author: Helmar Schramm,Ludger Schwarte,Jan Lazardzig

Publisher: Walter de Gruyter

ISBN: 9783110202403

Category: Literary Criticism

Page: 575

View: 4616

This volume presents a collection of original papers at the intersection of philosophy, the history of science, cultural and theatrical studies. Based on a series of case studies on the 17th century, it contributes to an understanding of the role played by instruments at the interface of science and art. The papers pursue the hypothesis that the development and construction of instruments make a substantive contribution to the openingof new fields of knowledge, the development of new cultural practices, but also to the delineation of particular genres, methods, and disciplines. This perspective leads the authors to reflect anew on whatactually defines an instrument and to develop a series of basic questions to determine what an instrument is - which actions does the instrument incorporate? - which actions does the instrument make possible? - when do the objects of examination themselves become instruments? - what skills are required to use an instrument, which skills does it produce? With its combination of new theoretical models and historical case studies, its detailed demonstration of the mutual influence of art and science with the instrument as the point of intersection, this volume enters new territory. It is of great value for all those interested in the history of our perception of instruments. Besides the editors, the authors of the papers are: Jörg Jochen Berns, Olaf Breidbach, Georges Didi-Huberman, Peter Galison, Sybille Krämer, Dieter Mersch, Hans-Jörg Rheinberger, Wilhelm Schmidt-Biggemann, and Otto Sibum.

Leonardo Da Vinci

Renaissance Genius

Author: Barbara O'Connor

Publisher: Twenty-First Century Books

ISBN: 9780876144671

Category: Juvenile Nonfiction

Page: 112

View: 6606

A biography of the notable Italian Renaissance artist, scientist, and inventor.

Leonardo's Legacy

How Da Vinci Reimagined the World

Author: Stefan Klein

Publisher: ReadHowYouWant.com

ISBN: 145875913X

Category: Artists

Page: 388

View: 7387

Revered today as, perhaps, the greatest of Renaissance painters, Leonardo da Vinci was a scientist at heart. The artist who created the Mona Lisa also designed functioning robots and digital computers, constructed flying machines and built the first heart valve. His intuitive and ingenious approach - a new mode of thinking - linked highly diverse areas of inquiry in startling new ways and ushered in a new era. In Leonardo's Legacy, award-winning science journalist Stefan Klein deciphers the forgotten legacy of this universal genius and persuasively demonstrates that today we have much to learn from Leonardo's way of thinking. Klein sheds light on the mystery behind Leonardo's paintings, takes us through the many facets of his fascination with water, and explains the true significance of his dream of flying. It is a unique glimpse into the complex and brilliant mind of this inventor, scientist, and pioneer of a new world view, with profound consequences for our times.

The Art of Artificial Evolution

A Handbook on Evolutionary Art and Music

Author: Juan J. Romero,Penousal Machado

Publisher: Springer Science & Business Media

ISBN: 3540728775

Category: Computers

Page: 459

View: 4516

This comprehensive book gives an up-to-date survey of the relevant bioinspired computing research fields – such as evolutionary computation, artificial life, swarm intelligence and ant colony algorithms – and examines applications in art, music and design. The editors and contributors are researchers and artists with deep experience of the related science, tools and applications, and the book includes overviews of historical developments and future perspectives.