Lord Byron's Cain

Twelve essays and a text with variants and annotations

Author: Truman Guy Steffan

Publisher: University of Texas Press

ISBN: 1477305114

Category: Literary Criticism

Page: 528

View: 1454

Cain has been ranked as one of the two best dramatic poems written in England in the nineteenth century. Because of its religious heterodoxy, which veiled a political iconoclasm, and also because of Byron's notoriety, Cain stirred up a storm among Tories and clergymen "from Kentish town to Pisa." From 1821 to 1830 more was printed about its eighteen hundred alarming lines than about the twenty thousand of Don Juan. One solemn Frenchman even translated the work in order to supply his countrymen with a text that he could then rewrite and confute. After the initial controversy, readers began to regard Cain not merely as revolutionary propaganda but as a fictional portrait of common youthful experience: a sequence of aspiration, discontent, uncertainty, confusion, misunderstood isolation, fear, frustration, anger, and finally a rash, inevitable, but futile revolt that led to a future of hopeless regret. Truman Guy Steffan here presents a text, arrived at by collation of the first and several later editions with the original manuscript (presently in the Stark Collection of the Miriam Lutcher Stark Library at the Harry Ransom Center, the University of Texas at Austin). The first eight essays, which comprise Part I, cover a number of literary topics: Byron's defense of his purposes in Cain and the relevance of his dramatic theory to the poem; the characterization that is an ideological confrontation, a revelation of personal conflict, as well as a rendering of individuals who have an existence independent of the author; the principles that controlled Byron's absorption and expansion of biblical materials; the integration of the imagery with the dramatic substance; the incongruities of the language; the metrical heterodoxy; and a description of the manuscript and of Byron's insertions. Part II contains the text of Cain, accompanied by notes on the variants, the manuscript cancellations and additions, certain linguistic details, and the scansion of some unusual verses. Then follow annotations on allusions, sources, and analogues, and on a few passages of the play that have elicited unusual conflict over interpretation. Part III provides a history of Cain criticism, from the opinions of Byron's social and literary circle and of the major periodicals and pamphlets to the more complicated contribution of the twentieth century. This important work stands not only as a valuable addition to Byron scholarship but also as an illuminating record of the changing critical and cultural attitudes from the early nineteenth century to the 1960s. Steffan has done a remarkable job in bringing together and synthesizing an enormous body of material.

Touched With Fire

Author: Kay Redfield Jamison

Publisher: Simon and Schuster

ISBN: 1439106630

Category: Psychology

Page: 384

View: 2146

The definitive work on the profound and surprising links between manic-depression and creativity, from the bestselling psychologist of bipolar disorders who wrote An Unquiet Mind. One of the foremost psychologists in America, “Kay Jamison is plainly among the few who have a profound understanding of the relationship that exists between art and madness” (William Styron). The anguished and volatile intensity associated with the artistic temperament was once thought to be a symptom of genius or eccentricity peculiar to artists, writers, and musicians. Her work, based on her study as a clinical psychologist and researcher in mood disorders, reveals that many artists subject to exalted highs and despairing lows were in fact engaged in a struggle with clinically identifiable manic-depressive illness. Jamison presents proof of the biological foundations of this disease and applies what is known about the illness to the lives and works of some of the world's greatest artists including Lord Byron, Vincent Van Gogh, and Virginia Woolf.

Romanticism, History, Historicism

Essays on an Orthodoxy

Author: Damian Walford Davies

Publisher: Routledge

ISBN: 1135899657

Category: History

Page: 254

View: 8041

The "(re)turn to history" in Romantic Studies in the 1980s marked the beginning of a critical orthodoxy that continues to condition, if not define, our sense of the Romantic period twenty-five years on. Romantic New Historicism’s revisionary engagements have played a central role in the realignment of the field and in the expansion of the Romantic canon. In this major new collection of eleven essays, critics reflect on New Historicism’s inheritance, its achievements and its limitations. Integrating a self-reflexive engagement with New Historicism’s "history" and detailed attention to a range of Romantic lives and literary texts, the collection offers a close-up view of Romanticism’s hybrid present, and a dynamic vision of its future.


Author: Caroline Franklin

Publisher: Routledge

ISBN: 1134493045

Category: Literary Criticism

Page: 160

View: 1163

Lord Byron (1788-1824) was a poet and satirist, as famous in his time for his love affairs and questionable morals as he was for his poetry. Looking beyond the scandal, Byron leaves us a body of work that proved crucial to the development of English poetry and provides a fascinating counterpoint to other writings of the Romantic period. This guide to Byron’s sometimes daunting, often extraordinary work offers: an accessible introduction to the contexts and many interpretations of Byron’s texts, from publication to the present an introduction to key critical texts and perspectives on Byron’s life and work, situated in a broader critical history cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Byron and seeking not only a guide to his works but also a way through the wealth of contextual and critical material that surrounds them.

Byrons Dramen

Author: Maria Verena Gilles

Publisher: Grove/Atlantic



Page: 151

View: 831

Writer's revisions

an annotated bibliography of articles and books about writers' revisions and their comments on the creative process

Author: David Madden,Richard Powers

Publisher: Scarecrow Pr


Category: Language Arts & Disciplines

Page: 241

View: 9718

Postmodern philosophy and Christian thought

Author: Merold Westphal

Publisher: Indiana Univ Pr

ISBN: 9780253335920

Category: Philosophy

Page: 291

View: 5163

Are postmodern philosophy and Christian thought so diametrically opposed that "never the twain shall meet"? Or are various postmodern philosophies, in spite of their secular provenance, open to religious appropriation? From the Christian side, it is all too easy to see postmodern philosophy as nothing but an implacable enemy, while those with postmodern sympathies see Christianity as the embodiment of the hegemony which it so forcefully opposes. Thinkers from Catholic, Protestant, and Jewish perspectives engage Nietzsche, Heidegger, Derrida, and Foucault in explorations of the epistemological, theological, literary, ethical, and social issues provoked by bringing postmodern philosophy into dialogue with Christian thought. The thirteen lively, original essays awaken secular postmodernisms and various modes of Christian thinking from their ideological complacency. An open space for passionate dialogue emerges from conversations that powerfully engage both intellectual and religious points of view. Contributors include: Steven Bouma-Prediger, John D. Caputo, George Connell, Andrew J. Dell'Olio, Garrett Green, Lee Hardy, Brian D. Ingraffia, Walter Lowe, Jean-Luc Marion, Gary Percesepe, Merold Westphal, W. Jay Wood, Norman Wirzba, and Edith Wyschogrod.

Cross Currents

Recent Trends in Humanities Research

Author: E. Ann Kaplan,Michael Sprinker

Publisher: Verso Books


Category: Education

Page: 107

View: 883

Byron und Grabbe

Ein geistesgeschichtlicher Verleich

Author: Ulrich Wesche

Publisher: N.A


Category: Romanticism

Page: 127

View: 3625