Irony's Edge

The Theory and Politics of Irony

Author: Linda Hutcheon

Publisher: Routledge

ISBN: 1134937547

Category: Literary Criticism

Page: 264

View: 7867

The edge of irony, says Linda Hutcheon, is always a social and political edge. Irony depends upon interpretation; it happens in the tricky, unpredictable space between expression and understanding. Irony's Edge is a fascinating, compulsively readable study of the myriad forms and the effects of irony. It sets out, for the first time, a sustained, clear analysis of the theory and the political contexts of irony, using a wide range of references from contemporary culture. Examples extend from Madonna to Wagner, from a clever quip in conversation to a contentious exhibition in a museum. Irony's Edge outlines and then challenges all the major existing theories of irony, providing the most comprehensive and critically challengin theory of irony to date.

The Politics of Postmodernism

Author: Linda Hutcheon

Publisher: Routledge

ISBN: 1134465181

Category: Literary Criticism

Page: 232

View: 8801

This classic text remains one of the clearest and most incisive introductions to postmodernism. Perhaps more importantly, it is a compelling discussion of why postmodernism matters. Working through the issue of representation in art forms from fiction to photography, Linda Hutcheon sets out postmodernism's highly political challenge to the dominant ideologies of the western world. A new epilogue traces the fate of the postmodern over the last ten years and into the future, responding to claims that it has, once and for all, 'failed'. Together with the new epilogue, this edition contains revised notes on further reading and a fully updated bibliography. This revised edition of The Politics of Postmodernism continues its position as essential reading.

A Theory of Parody

The Teachings of Twentieth-century Art Forms

Author: Linda Hutcheon

Publisher: University of Illinois Press

ISBN: 9780252069383

Category: Art

Page: 143

View: 4269

In this major study of a flexible and multifaceted mode of expression, Linda Hutcheon looks at works of modern literature, visual art, music, film, theater, and architecture to arrive at a comprehensive assessment of what parody is and what it does.Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode of coming to terms with the texts and discourses of the past. Looking at works as diverse as Tom Stoppard's Rosenkrantz and Guildenstern Are Dead, Brian de Palma's Dressed to Kill, Woody Allen's Zelig, Karlheinz Stockhausen's Hymnen, James Joyce's Ulysses, and Magritte's This Is Not a Pipe, Hutcheon discusses the remarkable range of intent in modern parody while distinguishing it from pastiche, burlesque, travesty, and satire. She shows how parody, through ironic playing with multiple conventions, combines creative expression with critical commentary. Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity.In a new introduction, Hutcheon discusses why parody continues to fascinate her and why it is commonly viewed as suspect--for being either too ideologically shifty or too much of a threat to the ownership of intellectual and creative property.

A Poetics of Postmodernism

History, Theory, Fiction

Author: Linda Hutcheon

Publisher: Routledge

ISBN: 1134986262

Category: Literary Criticism

Page: 288

View: 1296

First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.

Irony on Occasion

From Schlegel and Kierkegaard to Derrida and de Man

Author: Kevin Newmark

Publisher: Fordham Univ Press

ISBN: 0823240126

Category: Literary Criticism

Page: 370

View: 6912

What is it about irony--as an object of serious philosophical reflection and a literary technique of considerable elasticity--that makes it an occasion for endless critical debate? This book responds to this question by focusing on several key moments in German Romanticism and its afterlife in twentieth-century French thought and writing. It includes chapters on Friedrich Schlegel, Søren Kierkegaard, Friedrich Nietzsche, Thomas Mann, Jean Paulhan, Maurice Blanchot, Jacques Derrida, and Paul de Man. A coda traces the way unresolved tensions inherited from Romanticism resurface in a novelist like J. M. Coetzee. But this book is neither a historical nor a thematic study of irony. To the degree that irony initiates a deflection of meaning, it also entails a divergence from historical and thematic models of understanding. The book therefore aims to respect irony's digressive force by allowing it to emerge from questions that sometimes have little or nothing to do with the ostensible topic of irony. For if irony is the possibility that whatever is being said does not coincide fully with whatever is being meant, then there is no guarantee that the most legitimate approach to the problem would proceed directly to those places where "irony" is named, described, or presumed to reside. Rather than providing a history of irony, then, this book examines particular occasions of ironic disruption. It thus offers an alternative model for conceiving of historical occurrences and their potential for acquiring meaning.

Bodily Charm

Living Opera

Author: Linda Hutcheon,Michael Hutcheon

Publisher: U of Nebraska Press

ISBN: 080329476X

Category: Music

Page: 361

View: 8550

Bodily Charm is a passionate defense of opera as a living as well as live art. Written for both the opera lover and the specialist by a physician and a literary critic, it is an accessible and engaging interdisciplinary exploration of the operatic body—both the actual physical bodies of the singers and audience members and the represented body on stage in operas such as Death in Venice, Salome, Rigoletto, Der Ring des Nibelungen, and Elektra.

A Theory of Adaptation

Author: Linda Hutcheon

Publisher: Routledge

ISBN: 113621092X

Category: Literary Criticism

Page: 274

View: 2702

A Theory of Adaptation explores the continuous development of creative adaptation, and argues that the practice of adapting is central to the story-telling imagination. Linda Hutcheon develops a theory of adaptation through a range of media, from film and opera, to video games, pop music and theme parks, analysing the breadth, scope and creative possibilities within each. This new edition is supplemented by a new preface from the author, discussing both new adaptive forms/platforms and recent critical developments in the study of adaptation. It also features an illuminating new epilogue from Siobhan O’Flynn, focusing on adaptation in the context of digital media. She considers the impact of transmedia practices and properties on the form and practice of adaptation, as well as studying the extension of game narrative across media platforms, fan-based adaptation (from Twitter and Facebook to home movies), and the adaptation of books to digital formats. A Theory of Adaptation is the ideal guide to this ever evolving field of study and is essential reading for anyone interested in adaptation in the context of literary and media studies.

Four Last Songs

Aging and Creativity in Verdi, Strauss, Messiaen, and Britten

Author: Linda Hutcheon,Michael Hutcheon

Publisher: University of Chicago Press

ISBN: 022625559X

Category: History

Page: 151

View: 1949

Aging and creativity can seem a particularly fraught relationship for artists, who often face age-related difficulties at a time when their audience's expectations of their talents are at a peak. In Four Last Songs, Linda and Michael Hutcheon explore this issue through close looks at those who created some of the world's most important and influential operas. Giuseppe Verdi (1813?1901), Richard Strauss (1864?1949), Olivier Messiaen (1908?92), and Benjamin Britten (1913?76) all wrote operas late in life, pieces that reveal radically individual responses to the challenges of growing older. Verdi's Falstaff, his only comedic success, combated the influence of Richard Wagner by introducing young Italian composers to a new model of national music. Strauss, on the other hand, struggling with personal and political problems in Nazi Germany, composed the self-reflexive Capriccio, a ?life review” of opera and his own musical legacy. Though it exhausted him physically and emotionally, Messiaen finished at the age of seventy-five his first and only opera, Saint François d'Assise, which marked the religious and aesthetic pinnacle of his career. Britten, meanwhile, suffered from heart problems at the end of his career and raced against time, refusing to undergo surgery until he had completed his masterpiece, Death in Venice. For all four composers, age, far from sapping the power of creativity, provided impetus for some of their most impressive accomplishments. The diverse stories presented here provide unique insight into the attitudes and cultural discourse surrounding creativity, aging, and late style. With its deft treatment of these composers' final years and works, Four Last Songs provides a valuable look at the challenges?and opportunities?that present themselves as artists grow older.

Hunger and Irony in the French Caribbean

Literature, Theory, and Public Life

Author: Nicole Simek

Publisher: Springer

ISBN: 1137558822

Category: Literary Criticism

Page: 201

View: 8165

Through a series of case studies spanning the bounds of literature, photography, essay, and manifesto, this book examines the ways in which literary texts do theoretical, ethical, and political work. Nicole Simek approaches the relationship between literature, theory, and public life through a specific site, the French Antillean islands of Guadeloupe and Martinique, and focuses on two mutually elucidating terms: hunger and irony. Reading these concepts together helps elucidate irony’s creative potential and limits. If hunger gives irony purchase by anchoring it in particular historical and material conditions, irony also gives a literature and politics of hunger a means for moving beyond a given situation, for pushing through the inertias of history and culture.

Challenging Racism in the Arts

Case Studies of Controversy and Conflict

Author: Carol Tator,Frances Henry,Winston Mattis

Publisher: University of Toronto Press

ISBN: 9780802071705

Category: Art

Page: 293

View: 5658

Contending that cultural producion gives voice to racism, the authors--anthropologists Carol Tator and Frances Henry and attorney Winston Mattis--here examine how six controversial Canadian cultural events have given rise to a newly empowered radical or critical multiculturalism.

Genre

Author: John Frow

Publisher: Routledge

ISBN: 1317693213

Category: Literary Criticism

Page: 204

View: 9430

This second edition of John Frow’s Genre offers a comprehensive and accessible introduction to the area. Genre is a key means by which we categorize the many forms of literature and culture, but it is also much more than that: in talk and writing, in music and images, in film and television, genres actively generate and shape our knowledge of the world. Understanding genre as a dynamic process rather than a set of stable rules, this book explores: the relation of simple to complex genres the history of literary genre in theory the generic organisation of implied meanings the structuring of interpretation by genre the uses of genre in teaching. John Frow’s lucid exploration of this fascinating concept has become essential reading for students of literary and cultural studies, and the second edition expands on the original to take account of recent debates in genre theory and the emergence of digital genres.

Narcissistic Narrative

The Metafictional Paradox

Author: Linda Hutcheon

Publisher: Wilfrid Laurier Univ. Press

ISBN: 155458910X

Category: Literary Criticism

Page: 176

View: 3548

Linda Hutcheon, in this original study, examines the modes, forms and techniques of narcissistic fiction, that is, fiction which includes within itself some sort of commentary on its own narrative and/or linguistic nature. Her analysis is further extended to discuss the implications of such a development for both the theory of the novel and reading theory. Having placed this phenomenon in its historical context Linda Hutcheon uses the insights of various reader-response theories to explore the “paradox” created by metafiction: the reader is, at the same time, co-creator of the self-reflexive text and distanced from it because of its very self-reflexiveness. She illustrates her analysis through the works of novelists such as Fowles, Barth, Nabokov, Calvino, Borges, Carpentier, and Aquin. For the paperback edition of this important book a preface has been added which examines developments since first publication. Narcissistic Narrative was selected by Choice as one of the outstanding academic books for 1981–1982.

The Big Book of Irony

Author: Jon Winokur

Publisher: St. Martin's Press

ISBN: 146685975X

Category: Humor

Page: 192

View: 7755

Jon Winokur defines and classifies irony and contrasts it with coincidence and cynicism, and other oft-confused concepts that many think are ironic. He looks at the different forms irony can take, from an irony deficiency to visual irony to an understatement, using photographs and relate-able examples from pop culture. * "Irony in Action" looks at irony in language, both verbal and visual, while "Bastions of Irony" and "Masters of Irony" look at institutions and individuals steeped in irony, though not always intentionally. PLUS: * The Annals of Irony looks at irony, and its lack thereof, throughout history. A delight for anyone with a smart, dark sense of humor.

Opera

The Art of Dying

Author: Linda Hutcheon,Michael Hutcheon

Publisher: Harvard University Press

ISBN: 0674038916

Category: Music

Page: 256

View: 5972

Our modern narratives of science and technology can only go so far in teaching us about the death that we must all finally face. Can an act of the imagination, in the form of opera, take us the rest of the way? Might opera, an art form steeped in death, teach us how to die, as this provocative work suggests? In "Opera: The Art of Dying" a physician and a literary theorist bring together scientific and humanistic perspectives on the lessons on living and dying that this extravagant and seemingly artificial art imparts. Contrasting the experience of mortality in opera to that in tragedy, the Hutcheons find a more apt analogy in the medieval custom of "contemplatio mortis"--a dramatized exercise in imagining one's own death that prepared one for the inevitable end and helped one enjoy the life that remained. From the perspective of a contemporary audience, they explore concepts of mortality embodied in both the common and the more obscure operatic repertoire: the terror of death (in Poulenc's "Dialogues of the Carmelites"); the longing for death (in Wagner's "Tristan and Isolde"); preparation for the good death (in Wagner's "Ring of the Nibelung"); and suicide (in Puccini's "Madama Butterfly"). In works by Janacek, Ullmann, Berg, and Britten, among others, the Hutcheons examine how death is made to feel logical and even right morally, psychologically, and artistically--how, in the art of opera, we rehearse death in order to give life meaning.

Leonard Cohen and his works

Author: Linda Hutcheon

Publisher: Ecw Press

ISBN: N.A

Category: Literary Criticism

Page: 45

View: 8176

These studies of Canadian authors fulfill a real need in the study of Canadian literature. Each monograph is a separately bound study of about 55 pages. Each contains a biography of the author, a description of the tradition and milieu that influenced the author, a survey of the criticism on the author, a comprehensive essay on all the author's key works, and a detailed bibliography of primary and secondary works.

The Irony of American History

Author: Reinhold Niebuhr

Publisher: University of Chicago Press

ISBN: 0226583996

Category: Religion

Page: 198

View: 4240

“[Niebuhr] is one of my favorite philosophers. I take away [from his works] the compelling idea that there’s serious evil in the world, and hardship and pain. And we should be humble and modest in our belief we can eliminate those things. But we shouldn’t use that as an excuse for cynicism and inaction. I take away . . . the sense we have to make these efforts knowing they are hard.”—President Barack Obama Forged during the tumultuous but triumphant postwar years when America came of age as a world power, The Irony of American History is more relevant now than ever before. Cited by politicians as diverse as Hillary Clinton and John McCain, Niebuhr’s masterpiece on the incongruity between personal ideals and political reality is both an indictment of American moral complacency and a warning against the arrogance of virtue. Impassioned, eloquent, and deeply perceptive, Niebuhr’s wisdom will cause readers to rethink their assumptions about right and wrong, war and peace. “The supreme American theologian of the twentieth century.”—Arthur Schlesinger Jr., New York Times “Niebuhr is important for the left today precisely because he warned about America’s tendency—including the left’s tendency—to do bad things in the name of idealism. His thought offers a much better understanding of where the Bush administration went wrong in Iraq.”—Kevin Mattson, The Good Society “Irony provides the master key to understanding the myths and delusions that underpin American statecraft. . . . The most important book ever written on US foreign policy.”—Andrew J. Bacevich, from the Introduction

Partial Magic

The Novel as a Self-conscious Genre

Author: Robert Alter

Publisher: Univ of California Press

ISBN: 9780520037328

Category: Literary Criticism

Page: 248

View: 6448


A Rhetoric of Irony

Author: Wayne C. Booth

Publisher: University of Chicago Press

ISBN: 9780226065533

Category: Language Arts & Disciplines

Page: 292

View: 3677

Excerpts from works by Defoe, Beckett, and other writings illuminated the progresses by which individuals perceive, interpret, and communicate deliberately ironic statements in speed and writing

A Decade of Dark Humor

How Comedy, Irony, and Satire Shaped Post-9/11 America

Author: Ted Gournelos,Viveca Greene

Publisher: Univ. Press of Mississippi

ISBN: 1617030074

Category: Social Science

Page: 253

View: 3545

A Decade of Dark Humor analyzes ways in which popular and visual culture used humor-in a variety of forms-to confront the attacks of September 11, 2001 and, more specifically, the aftermath. This interdisciplinary volume brings together scholars from four countries to discuss the impact of humor and irony on both media discourse and tangible political reality. Furthermore, it demonstrates that laughter is simultaneously an avenue through which social issues are deferred or obfuscated, a way in which neoliberal or neoconservative rhetoric is challenged, and a means of forming alternative political ideologies. The volume's contributors cover a broad range of media productions, including news parodies (The Daily Show with Jon Stewart, The Colbert Report, The Onion), TV roundtable shows (Politically Incorrect with Bill Maher), comic strips and cartoons (Aaron McGruder’s The Boondocks, Jeff Danzinger’s editorial cartoons), television drama (Rescue Me), animated satire (South Park), graphic novels (Art Spiegelman’s In the Shadow of No Towers), documentary (Fahrenheit 9/11), and other productions. Along with examining the rhetorical methods and aesthetic techniques of these productions, the essays place each in specific political and journalistic contexts, showing how corporations, news outlets, and political institutions responded to-and sometimes co-opted-these forms of humor.