An insightful examination of the impact of the Civil Rights Movement and African Independence on jazz in the 1950s and 60s, Freedom Sounds traces the complex relationships among music, politics, aesthetics, and activism through the lens of the hot button racial and economic issues of the time. Ingrid Monson illustrates how the contentious and soul-searching debates in the Civil Rights, African Independence, and Black Power movements shaped aesthetic debates and exerted a moral pressure on musicians to take action. Throughout, her arguments show how jazz musicians' quest for self-determination as artists and human beings also led to fascinating and far reaching musical explorations and a lasting ethos of social critique and transcendence. Across a broad body of issues of cultural and political relevance, Freedom Sounds considers the discursive, structural, and practical aspects of life in the jazz world in the 1950s and 1960s. In domestic politics, Monson explores the desegregation of the American Federation of Musicians, the politics of playing to segregated performance venues in the 1950s, the participation of jazz musicians in benefit concerts, and strategies of economic empowerment. Issues of transatlantic importance such as the effects of anti-colonialism and African nationalism on the politics and aesthetics of the music are also examined, from Paul Robeson's interest in Africa, to the State Department jazz tours, to the interaction of jazz musicians such Art Blakey and Randy Weston with African and African diasporic aesthetics. Monson deftly explores musicians' aesthetic agency in synthesizing influential forms of musical expression from a multiplicity of stylistic and cultural influences--African American music, popular song, classical music, African diasporic aesthetics, and other world musics--through examples from cool jazz, hard bop, modal jazz, and the avant-garde. By considering the differences between aesthetic and socio-economic mobility, she presents a fresh interpretation of debates over cultural ownership, racism, reverse racism, and authenticity. Freedom Sounds will be avidly read by students and academics in musicology, ethnomusicology, anthropology, popular music, African American Studies, and African diasporic studies, as well as fans of jazz, hip hop, and African American music.
Civil Rights Call out to Jazz and Africa
Author: Ingrid Monson
Publisher: Oxford University Press
Category: Social Science
Mit vielleicht keinem zweiten Land verbindet die Deutschen eine so reichhaltige und wechselvolle Geschichte wie mit den Vereinigten Staaten von Amerika. Maßgeblich hierfür waren neben den weltpolitischen Verwerfungen des 20. und 21. Jahrhunderts stets die kulturellen Güter, allen voran die Musik. In Zeiten der Weimarer Republik etwa floss der Jazz unaufhaltsam in die deutsche Unterhaltungskultur ein und begeisterte Publikum und Künstler gleichermaßen, gleichzeitig repräsentierten die USA für konservative Kreise einen libertär-demokratischen Geist, dem eine 'zersetzende' Wirkung auf die deutsche Gesellschaft unterstellt wurde. Die ambivalente Beziehung der Deutschen gegenüber den USA setzte sich nach dem Zweiten Weltkrieg fort: Ob als 'Befreier' und Verbündete oder als 'imperialistischer Feindesstaat' - je nach politischer Gesinnung und kultureller Zugehörigkeit konnte man in den USA und ihrer Kultur die Verheißung schlechthin oder den ultimativen Dämon erkennen. Euphorie und Hysterie bildeten gewissermaßen den roten Faden in der Amerikarezeption der Deutschen.
Populäre Musik made in USA in der Wahrnehmung der Deutschen 1914-2014. Zum 100-jährigen Bestehen des Deutschen Volksliedarchivs und zur Gründung des Zentrums für Populäre Kultur und Musik
Author: Michael Fischer,Christofer Jost
Publisher: Waxmann Verlag
In his seminal article “Freedom Then, Freedom Now,” renowned civil rights historian Steven F. Lawson described his vision for the future study of the civil rights movement. Lawson called for a deeper examination of the social, economic, and political factors that influenced the movement’s development and growth. He urged his fellow scholars to connect the “local with the national, the political with the social,” and to investigate the ideological origins of the civil rights movement, its internal dynamics, the role of women, and the significance of gender and sexuality. In Freedom Rights: New Perspectives on the Civil Rights Movement, editors Danielle L. McGuire and John Dittmer follow Lawson’s example, bringing together the best new scholarship on the modern civil rights movement. The work expands our understanding of the movement by engaging issues of local and national politics, gender and race relations, family, community, and sexuality. The volume addresses cultural, legal, and social developments and also investigates the roots of the movement. Each essay highlights important moments in the history of the struggle, from the impact of the Young Women’s Christian Association on integration to the use of the arts as a form of activism. Freedom Rights not only answers Lawson’s call for a more dynamic, interactive history of the civil rights movement, but it also helps redefine the field.
New Perspectives on the Civil Rights Movement
Author: Danielle McGuire
Publisher: University Press of Kentucky
There is no denying that race is a critical issue in understanding the South. However, this concluding volume of The New Encyclopedia of Southern Culture challenges previous understandings, revealing the region's rich, ever-expanding diversity and providing new explorations of race relations. In 36 thematic and 29 topical essays, contributors examine such subjects as the Tuskegee Syphilis Study, Japanese American incarceration in the South, relations between African Americans and Native Americans, Chinese men adopting Mexican identities, Latino religious practices, and Vietnamese life in the region. Together the essays paint a nuanced portrait of how concepts of race in the South have influenced its history, art, politics, and culture beyond the familiar binary of black and white.
Volume 24: Race
Author: Thomas C. Holt,Laurie Beth Green,Charles Reagan Wilson
Publisher: UNC Press Books
In Spirits Rejoice! Jason Bivins explores the relationship between American religion and American music, and the places where religion and jazz have overlapped. Much writing about jazz tends toward glorified discographies or impressionistic descriptions of the actual sounds. Rather than providing a history, or series of biographical entries, Spirits Rejoice! takes to heart a central characteristic of jazz itself and improvises, generating a collection of themes, pursuits, reoccurring foci, and interpretations. Bivins riffs on interviews, liner notes, journals, audience reception, and critical commentary, producing a work that argues for the centrality of religious experiences to any legitimate understanding of jazz, while also suggesting that jazz opens up new interpretations of American religious history. Bivins examines themes such as musical creativity as related to specific religious traditions, jazz as a form of ritual and healing, and jazz cosmologies and metaphysics. Spirits Rejoice! connects Religious Studies to Jazz Studies through thematic portraits, and a vast number of interviews to propose a new, improvisationally fluid archive for thinking about religion, race, and sound in the United States. Bivins's conclusions explore how the sound of spirits rejoicing challenges not only prevailing understandings of race and music, but also the way we think about religion. Spirits Rejoice! is an essential volume for any student of jazz, American religion, or American culture.
Jazz and American Religion
Author: Jason C. Bivins
Publisher: Oxford University Press
The song 'God Bless America' has come to inhabit our collective consciousness. This book tells the fascinating story behind the song, from its composition in 1918 by Irving Berlin, to its first performance by Kate Smith in 1938, to its post 9/11 popularity.
The Surprising History of an Iconic Song
Author: Sheryl Kaskowitz
Publisher: OUP USA
Keith Jarrett ranks among the most accomplished and influential pianists in jazz history. His The Köln Concert stands among the most important jazz recordings of the past four decades, not only because of the music on the record, but also because of the remarkable reception it has received from musicians and lay-listeners alike. Since the album's 1975 release, it has sold over three million copies: a remarkable achievement for any jazz record, but an unprecedented feat for a two-disc set of solo piano performances featuring no well-known songs. In Keith Jarrett's The Köln Concert, author Peter Elsdon seeks to uncover what it is about this recording, about Keith Jarrett's performance, that elicits such success. Recognizing The Köln Concert as a multi-faceted text, Elsdon engages with it musically, culturally, aesthetically, and historically in order to understand the concert and album as a means through which Jarrett articulated his own cultural and musical outlook, and establish himself as a serious artist. Through these explorations of the concert as text, of the recording and of the live performance, Keith Jarrett's The Köln Concert fills a major hole in jazz scholarship, and is essential reading for jazz scholars and musicians alike, as well as Keith Jarrett's many fans.
Author: Peter Elsdon
Publisher: Oxford University Press
The first full biography of legendary jazz musician Thelonious Monk, written by a brilliant historian, with full access to the family's archives and with dozens of interviews. Thelonious Monk is the critically acclaimed, gripping saga of an artist’s struggle to “make it” without compromising his musical vision. It is a story that, like its subject, reflects the tidal ebbs and flows of American history in the twentieth century. To his fans, he was the ultimate hipster; to his detractors, he was temperamental, eccentric, taciturn, or childlike. His angular melodies and dissonant harmonies shook the jazz world to its foundations, ushering in the birth of “bebop” and establishing Monk as one of America’s greatest composers. Elegantly written and rich with humor and pathos, Thelonious Monk is the definitive work on modern jazz’s most original composer.
The Life and Times of an American Original
Author: Robin Kelley
Publisher: Simon and Schuster
Category: Biography & Autobiography
Takes readers back to the 1920s and early 1930s to describe how jazz musicians navigated the rocky racial terrain of the music business, and how new media like the phonograph, radio and film accelerated the new genre's diffusion and contributed to variations in its styles.
how early jazz got America's ear
Author: Court Carney
Publisher: Univ Pr of Kansas
Author: Abiola Irele,Biodun Jeyifo
International Studies and Programming
Category: International relations
von der Sklavenmusik zum Bebop
Author: Imamu Amiri Baraka
The IBR, published again since 1971 as an interdisciplinary, international bibliography of reviews, offers book reviews of literature dealing primarily with the humanities and social sciences published in 6,000 mainly European scholarly journals. This unique bibliography contains over 1.2 millions book reviews. 60,000 entries are added every year with details on the work reviewed and the review.
Author: K. G. Saur Verlag GmbH & Company
Publisher: Walter de Gruyter
Author: Arthur James Wells
Category: English literature
Author: Dana Ferguson
Publisher: Gale Cengage
Category: Language Arts & Disciplines
This book is a multifaceted approach to understanding the central developments in African American history since 1939. It combines a historical overview of key personalities and movements with essays by leading scholars on specific facets of the African American experience, a chronology of events, and a guide to further study. Marian Anderson's famous 1939 concert in front of the Lincoln Memorial was a watershed moment in the struggle for racial justice. Beginning with this event, the editors chart the historical efforts of African Americans to address racism and inequality. They explore the rise of the Civil Rights and Black Power movements and the national and international contexts that shaped their ideologies and methods; consider how changes in immigration patterns have complicated the conventional "black/white" dichotomy in U.S. society; discuss the often uneasy coexistence between a growing African American middle class and a persistent and sizable underclass; and address the complexity of the contemporary African American experience. Contributors consider specific issues in African American life, including the effects of the postindustrial economy and the influence of music, military service, sports, literature, culture, business, and the politics of self-designation, e.g.,"Colored" vs. "Negro," "Black" vs. "African American". While emphasizing political and social developments, this volume also illuminates important economic, military, and cultural themes. An invaluable resource, The Columbia Guide to African American History Since 1939 provides a thorough understanding of a crucial historical period.
Author: Robert L Harris Jr.,Rosalyn Terborg-Penn
Publisher: Columbia University Press
Eine mitreißende Jahrhundertgeschichte: Harry Belafontes Autobiographie Sänger, Schauspieler, politischer Aktivist. Harry Belafontes Leben mutet an wie ein Märchen und liest sich wie ein Roman: Aus ärmlichen Verhältnissen stammend, wurde er zu einem der bekanntesten und beliebtesten Entertainer unserer Zeit. Ein Mann, der die Macht, die ihm seine Popularität verleiht, seit Jahrzehnten nutzt, um für eine gerechtere Gesellschaft zu kämpfen. Er kannte sie alle: Eleanor Roosevelt, Sidney Poitier, John F. Kennedy, Martin Luther King, Jr., Robert Kennedy, Nelson Mandela, Fidel Castro. Die Lebensgeschichte Harry Belafontes ist eine Jahrhundertstory. Auf wunderbar lebendige Weise erzählt er von seiner Kindheit im Harlem der 1930er-Jahre, wo Ganoven den Ton angaben, von Kindheitstagen zwischen jamaikanischen Bananenplan tagen, von seinen Kollegen in der Schauspielklasse des deutschen Exilanten Erwin Piscator – Marlon Brando, Walter Matthau und Tony Curtis – damals allesamt noch so unbekannt wie Belafonte, von den Anfängen der Bürgerrechtsbewegung, seiner Freundschaft mit Martin Luther King, Jr., und wie es dazu kam, dass er 1960 Wahlkampfwerbung für John F. Kennedy machte. Bis heute hat Harry Belafonte, seit Jahren UNICEF-Botschafter, nichts von seiner Leidenschaft für den politischen Kampf eingebüßt: Er wirft Barack Obama vor, nicht genug Herz für die Armen zu zeigen, und sucht, gerade auch mit diesem Buch, den Dialog mit politisch aktiven jungen Menschen auf der ganzen Welt. Eine inspirierende Autobiographie, ein Buch, das vor Energie und Lebensfreude vibriert wie die Songs Harry Belafontes.
Author: Harry Belafonte,Michael Shnayerson
Publisher: Kiepenheuer & Witsch
Collects lyrics from blues recordings made by Black Americans and sold in Black communities following the war
An Anthology from the Post-World War II Era
Author: Jeff Todd Titon
Publisher: University of Illinois Press
Memoiren - Dizzy Gillespie
Author: Dizzy Gillespie,Al Frazer
Category: Jazz musicians