"Representing the fruit of in-depth dynamics it invites us to give all necessary attention to the concepts of conflict, cooperation and competition. By reflecting on the possible articulations of these concepts and attempting to apply them in diverse fields of social science the editors give voice to those who are studying the world as it is and perform the service of returning a set of concepts, approaches or paradigms to their legitimate place." - Michel Wieviorka, President, International Sociological Association This ISA Handbook presents and tracks the transformation of the societies and social relations that characterize the twenty-first century. The volume is organized around a conceptualization of three processes that are fundamental to the analyses of micro, meso and macro social relations: conflict, competition, and cooperation. In addition to chapters that delve into sociological theory, case studies and overviews of subfields discuss and contextualize debates from an international perspective, incorporating relevant material about North America, Latin America, Europe, Africa and Asia. Chapters on topics and fields crucial to the experience of people around the world include, among others: childhood studies, consumption, hunger, labour studies, peace-keeping, law, health, sport, and welfare. Systematic and informed, the handbook will serve readers in all branches of the social sciences, providing both experienced researchers and novices with the materials to explore the different domains of contemporary life.
Author: Ann Denis,Devorah Kalekin-Fishman
Category: Social Science
Robert W. Witkin unpacks Adorno's notoriously difficult critique of popular culture in an engaging and accessible style, looking first at the development of the overarching theories of authority, commodification and negative dialectics. He then goes on to consider Adorno's writing on specific aspects of popular culture such as radio, film and popular music.
Author: Robert Winston Witkin
Publisher: Psychology Press
An eminent philosopher of music defines the sociology of music, explores modes of musical conduct, and deals with popular and chamber music, opera, and the relation of music to public opinion
Author: Theodor W. Adorno
Publisher: Burns & Oates
The subject of this study has two distinct but not unrelated aspects: first, an investigation into the sociology of music as an autonomous and specialized discipline; and second, an examination of certain fundamental facts that may be considered within the purview of the sociology of music itself. If an analysis and study even a preliminary one of these facts is to be properly focused and fruitful, we must first try to determine the subject and methods of the sociology of music, its position and boundaries in respect to musicology, and, most especially, its relation to the aesthetics of music and music history. It is equally indispensable to ascertain what the sociology of music as a separate scholarly discipline embraces, where its investigation leads, and, finally, to establish its position vis-a-vis sociology in general. (From the Author's Introduction.)
A Guide to the Sociology of Music
Author: Ivo Supicic,Ivo [email protected]@,Supǐci ́c, Ivo
Publisher: Pendragon Press
Frankfurter Adorno-Vorlesungen 2008
Author: Luc Boltanski
The latest volume in this popular series of books which explores the theoretical basis for temporary and transportable structures where permanence is either not possible or desirable. The book provides insight into the wide range of uses of these structures, the varied forms they take and the concerns and ideas for future development, focusing on portability, adaptability, sustainability of the built environment, and technical innovations. A wide range of designed solutions identify and define contemporary directions in design theory and practice. With international examples throughout, this book will be of interest and value to all those involved in the areas of building design, building component manufacture and urban design.
Author: Robert Kronenburg,Filiz Klassen
Publisher: Taylor & Francis
Richard Wagner's works are among the most controversial in the history of European music because of their powerful aesthetic qualities and, in wider political terms, because of their eventual assimilation into the official culture of the Third Reich. This concise synoptic account by the most brilliant exponent of Frankfurt School Marxism subtly interweaves these artistic and ideological qualities. It provides deft musicological analyses of Wagner's scores and of his compositional techniques, orchestration and staging methods, quoting copiously from the music dramas themselves. At the same time it offers incisive reflections on Wagner's social character and the ideological impulses of his artistic activity.
Author: Theodor W. Adorno
How are national identities constructed and articulated through music? Popular music has long been associated with political dissent, and the nation state has consistently demonstrated a determination to seek out and procure for itself a stake in the management of 'its' popular musics. Similarly, popular musics have been used 'from the ground up' as sites for both populist and popular critiques of nationalist sentiment, from the position of both a globalizing and a 'local' vernacular culture. The contributions in this book arrive at a critical moment in the development of the study of national cultures and musicology. The book ranges from considerations of the ideological focus of cultural nationalism through to analyses of musical hybridity and musical articulations of other kinds of identities at odds with national identity. The processes of global homogenization are thereby shown to have brought about a transitional crisis for national cultural identities: the evolution of these identities, particularly with reference to the concept of 'authenticity' in music, is situated within broader debates on power, political economy and constructions of the self. Theorizations of practice are employed after the manner of Bourdieu, Gramsci, Goffman, Gadamer, Habermas, Bhabha, Lacan and Žižek. Each contribution acts as a case study to characterize the strategies through which differing modes of musical discourse engage, critique or obscure discourses on national identity. The studies include discussions of: musical representations of Irishness; the relationship between Afropop and World Music; Norwegian club music; the revival of traditional music in Serbia; resistance to cultural homogeneity in Brazil; contemporary Uyghur song in Northwest China; rap and race in French society; technobanda from the barrios of Los Angeles, and Spanish/Moroccan raï. In this way, the book seeks to characterize the ideological configurations that help to activate and sustain hegemonic, ambivalent and dissident articulations of national identity and musical practices.
Between the Global and the Local
Author: Dr Ian Biddle,Dr Vanessa Knights
Publisher: Ashgate Publishing, Ltd.
Music is an accumulation of mediators: instruments, languages, sheets, performers, scenes, media and so on. Learning from music - this art of infinite mediations - allows us to confront sociology with a different way of considering objects. For this task, Hennion draws on aesthetics, art history, science, technology and popular music studies. He shows us that music is a collective process, which must always be performed again and again. As part of that project, he presents a wide-ranging series of case studies, restoring attention to the rich and varied intermediaries through which music is brought to life. This is the first English translation of one of the most important works of French scholarship on music and society.
Author: Dr Antoine Hennion
Publisher: Ashgate Publishing, Ltd.
Author: International Music Centre
Author: Music Library Association
Author: Johannes C. Gall
Category: Composition (Music)
philosophische Fragmente. Dialektik der Aufklärung
Author: Max Horkheimer,Theodor W. Adorno,Rolf Tiedemann
Author: Stefan Müller-Doohm